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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Lambert

Jo's mo show
 /
Style guide
 /
Beards
 

Barbering manuals of the turn of the century might describe this style as a ‘Van Dyck’, named after the Dutch painter Anthony van Dyck (1599–1641) who is known to have adopted this look.

It’s one typically associated with the 16th and 17th centuries: a dapper, inverted-triangle of a beard paired with a generous, military-type mo that twisted up elegantly at either end. King Charles I (who van Dyck painted several times) and William Shakespeare are among its most famous exponents.

The Lambert
Arthur Streeton
Self portrait with gladioli
1 The Lambert. 2 Arthur Streeton, c. 1890 H. Walter Barnett, Currently on display. 3 Self portrait with gladioli, 1922 George Lambert.
Jo's mo show
(with beards)
Style guide
Beards
The Brougham
The Burke
The Parkes
The Lyster
The Hooker
The Lambert
The Cohen
The Hubert
The Gibb
Mo and beard timeline
Style guide
Who's Jo?

Related information

Self portrait with gladioli
Self portrait with gladioli
Self portrait with gladioli
Self portrait with gladioli

Virtual Highlight Tour

Oh George

12:30pm, Tue 31 Oct

Join our Senior Curator Joanna Gilmour as she explores the life of celebrated portraitist George Lambert. You’ll be glad(ioli) you did.
Henry Lawson
Henry Lawson
Henry Lawson
Henry Lawson

Jo's mo show

(with beards)

Previous exhibition, 2011

This exhibition illustrates changes in beards, moustaches and sideburns from the 1780s to the 1980s.
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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