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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

June Dally-Watkins

2023 Annual Appeal

Annual Appeal

In 2023 the Annual Appeal was focussed on a work by one of Australia's best loved and most successful portrait painters, Judy Cassab AO CBE, depicting model, entrepreneur and deportment icon, June Dally-Watkins OAM.

Caroline Zilinsky and John Feitelson

Caroline Zilinsky and John Feitelson

Vox pops

John is a very unique character so I really wanted to capture that uniqueness.

Man with two lives, 2021 Caroline Zilinsky

Man with two lives

Caroline Zilinsky
Image
Elizabeth

The National Portrait Prizes

29 January 2020
Archived media releases 2020

The National Portrait Gallery today announced finalists for the inaugural Darling Portrait Prize, a national new $75,000 prize for Australian portrait painting, and released selected images from the final prize pool for the popular National Photography Portrait Prize.

Helen Blaxland judging flower arrangements, c. 1940s photographer unknown

Petal to the mettle

Magazine article by Dr Sarah Engledow, 2019

Sarah Engledow lauds the very civil service of Dame Helen Blaxland.

Portfolio of 54 portraits compiled by Queen Victoria, 1859–1861 by John Jabez Edwin Mayall, Camille Silvy, Frances Day and William Bambridge

Queen of cartes

Magazine article by Joanna Gilmour, 2019

Joanna Gilmour discusses the role of the carte de visite in portraiture’s democratisation, and its harnessing by Victoria, the world’s first media monarch.

Hans Heinrich Thyssen-Bornemisza and David R. L. Litchfield at Villa Favorita, Lugano, Switzerland, 1989 © Nicola Graydo

The Thyssen Art Macabre

About Face article

Books seldom make me angry but this one did. At first, I was powerfully struck by the uncanny parallels that existed between the Mellons of Pittsburgh and the Thyssens of the Ruhr through the same period, essentially the last quarter of the nineteenth century.

The artist and her family, c. 1854 by Martha Berkeley

Presence and absence

Magazine article by Joanna Gilmour, 2018

The art of Australia’s colonial women painters affords us an invaluable, alternative perspective on the nascent nation-building project.

Group photograph taken at the coronation of King George VI including Queen Elizabeth II, Duke and Duchess of Gloucester and the Queen Mother, 12 May 1937 by Hay Wrightson

Poise and Carats

About Face article

I keep going back to Cartier: The Exhibition at the National Gallery of Australia next door, and, within the exhibition, to Princess Marie Louise’s diamond, pearl and sapphire Indian tiara (1923), surely one of the most superb head ornaments ever conceived.

image not online

Portrait Donors

Listed by year
Honour board
David Malouf

2012-13 Acquisition Fund

Annual Appeal

The Circle of Friends Acquisition Fund for 2012 was dedicated to purchasing a portrait of David Malouf by Rick Amor.

An evening at Yarra Cottage, Port Stephens

Maria Caroline Brownrigg

About Face article

At first glance, this small watercolour group portrait of her two sons and four daughters by Maria Caroline Brownrigg (d. 1880) may seem prosaic, even hesitant

Sunset in the drawing room at Chesney Wold by Hablot Knight Brown

Portraiture in a Bleak House

About Face article

It may seem an odd thing to do at one’s leisure on a beautiful tropical island, but I spent much of my midwinter break a few weeks ago re-reading Bleak House.

An evening at Yarra Cottage, Port Stephens
An evening at Yarra Cottage, Port Stephens
An evening at Yarra Cottage, Port Stephens

An evening at Yarra Cottage, Port Stephens, 1857

Maria Brownrigg
Portrait, watercolour and collage on paper

Purchased 2017

Portrait of Tam Purves

Bonfire of the vanities

Magazine article by Stuart Purves, 2016

Australian Galleries Director Stuart Purves tells the story of two portraits by John Brack.

Last Light Ellis Hutch

Reflections

General content

All that fall: Sacrifice, life and loss in the First World War exhibition co-curators Dr Anne Sanders and Dr Christopher Chapman reflect on the evolution of the Gallery’s Anzac Centenary exhibition.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency