Jessica Bolton navigates the parallel tracks documenting Robyn Davidson’s astonishing journey.
Jessica Smith looks at the 'fetching' portrait of Tasmania's first Anglican Bishop, Francis Russell Nixon by George Richmond
Jessica Herrington won the inaugural National Youth Self Portrait Prize in 2008 with a work about the difficulty we have revealing ourselves in front of the camera.
Ryan Presley about portraiture, Emma Kindred on the career of Joan Ross, Ellie Buttrose looks at Archie Moore’s kith and kin, and Joanna Gilmour steps into the world of Julie Rrap.
Photographed 35 years apart, these two portraits offer both a timeline of, and thematic thread for, Maria (Polly) Cutmore’s life – from a young woman to a respected Gomeroi Elder.
Leslie Moran investigates the portraits of judges in the National Portrait Gallery's collection.
The photographs from Matthew Sleeth's tour of duty series look more like advertisements than images of war.
At just 7.8 x 6.2 cm, the daguerreotype of Thomas Sutcliffe Mort and his wife Theresa is one of the smallest works in the collection of the National Portrait Gallery.
Lucy Quinn compares the approaches of three photographers lured to the action and culture of roller derby.
Family affections are preserved in a fine selection of intimate portraits.
Anne O’Hehir on the seductive power of the film still to reflect and shape ourselves and our cultural landscape.
Sarah Engledow trains her exacting lens on the nine photographs from 20/20.
Sarah Engledow lauds the very civil service of Dame Helen Blaxland.