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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Self Portrait, 1963–64

What price self?

Magazine article by Jane Raffan, 2013

Jane Raffan investigates auction sales of self portraits nationally and internationally.

Sir Lawrence Wackett

Starry knight

Magazine article by Dr Sarah Engledow, 2010

Aircraft designer, pilot and entrepreneur, Sir Lawrence Wackett rejoins friends and colleagues on the walls of the National Portrait Gallery.

Karl Robert, Count Nesselrode, 1818 by Sir Thomas Lawrence

The Lawrence lustre

Magazine article by Angus Trumble, 2019

Angus Trumble salutes the glorious portraiture of Sir Thomas Lawrence.

Studio of the American & Australasian Photographic Co., Hill End, 1872

A rogue's calling card

Magazine article by Joanna Gilmour, 2008

Joanna Gilmour explores the stories behind the ninteenth-century carte de visites of bushrangers Frank Gardiner and Fred Lowry.

Peter Wilmoth, age 12, with copies of Our World 1974 Courtesy of the author

Paper, boy

Magazine article by Peter Wilmoth, 2016

Peter Wilmoth’s boy-journalist toolkit for antagonising an Australian political giant.

Captain W Kinghorne

The bright-eyed Mariner

Magazine article by Dr Sarah Engledow, 2008
A new colonial portrait brings a zealous captain near.
Portrait of Elizabeth Gould with a raptor, possibly a red-footed falcon (Falco vespertinus), painted in her lifetime Artist unknown

Birds of a feather

Magazine article by Annette Twyman, 2021

Charting a path from cockatiel to finch, Annette Twyman explores her family portraits and stories.

Patrick Ryan, 1968 by Mark Strizic

The silent partner

Magazine article by Dr Sarah Engledow, 2015

One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.

Self-Portrait, 1981 by Don Bachardy

Drawing inspiration

Magazine article by Dr Christopher Chapman, 2017

Christopher Chapman absorbs the gentle touch of Don Bachardy’s portraiture.

Billy Hughes paperweight

Mugshots

Magazine article by Dr Sarah Engledow, 2006

A toast to the acquisition of an unconventional new portrait of former Prime Minister, Stanley Melbourne Bruce.

Lyndall Hobbs and Marilyn at the Come as your favourite blonde party, Blitz Club, London, 1979 Robert Rosen

Shiny, happy people

Magazine article by Glynis Jones, 2022

Glynis Jones on the Powerhouse’s retrospective of one of Australia’s foremost fashion reportage and social photographers.

My father-in-law watering his garden, 1986 by Davida Allen

Lovingly observed

Magazine article by Dr Sarah Engledow, 2009

Sarah Engledow previews the beguiling summer exhibition, Idle hours.

Tom Wills, c. 1870 by William Handcock

Secure the shadow ere the substance fade

Magazine article by Joanna Gilmour, 2015

The tragic tale of Tom Wills, the ‘inventor’ of Australian Rules Football.

The Right Honourable Sir Ninian Stephen KGAK GCMG GCVO KBE QC, 2006 by Rick Amor

Prima facie

Magazine article by Dr Sarah Engledow, 2019

Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency