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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Scott Redford: Introducing
Reinhardt Dammn

Surfer artist rockstar

Magazine article by Dr Christopher Chapman, 2011

Christopher Chapman talks with Scott Redford about his character Reinhardt Dammn.

NPPP finalists

20 20

Magazine article by Dr Sarah Engledow, 2017

Sarah Engledow picks some favourites from a decade of the National Photographic Portrait Prize.

Self-portrait in black jumper, 2017 Graeme Drendel

Be frank

Magazine article by Dr Sarah Engledow, 2020

Close encounters are the genesis for Graeme Drendel’s enticing portraiture.

Margaret Whitlam

Glossy too

Magazine article by Christine Clark, 2005

The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.

A Goldfields Member

Showing character

Magazine article by Joanna Gilmour, 2016

Joanna Gilmour on Tom Durkin playing with Melbourne's manhood.

Howard Taylor

Reflections on portraiture

Magazine article by Andrew Sayers AM, 2004

An extract from the 2004 Nuala O'Flaaherty Memorial Lecture at the Queen Victoria Musuem and Art Gallery in Launceston in which Andrew Sayers reflects on the unique qualities of a portrait gallery.

Bushrangers, Victoria, Australia, 1852, 1887 by William Strutt

Strutt your stuff

Magazine article by Matthew Jones, 2016

Matthew Jones on the upshot of a St Kilda Road outrage.

Layla 2020 Veronica Watson, pencil on paper. Layla 2020 Sarah McEwan, fabric, acrylic on MDF. Self portrait 2020 Layla Bacayo, drypoint on paper. Image: Sarah McEwan

Mash-up

Magazine article by Penelope Grist, 2022

Penelope Grist delves into an insightful portraiture exhibition that asks: How do three artists see the same sitter?

Lindy Lee

The long game

Magazine article by Penelope Grist, 2020

Penelope Grist spends some quality time with the Portrait Gallery’s summer collection exhibition, Eye to Eye.

Yhonnie and Indiana, 2012

Surface tension

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour on the National Photographic Portrait Prize 2013.

Untitled #21/09 (after Ricci, 1700; featuring Matthew Mitcham)

Getting bare

Magazine article by Penelope Grist, 2015

How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.

A Portrait (Kate Hattam)

Melbourne experience

Magazine article by Diana Warnes, 2007

Diana Warnes explores the lives of Hal and Katherine 'Kate' Hattam through their portraits painted by Fred Williams and Clifton Pugh.

On the wall - Guangzhou (II), 2002

Go Figure!

Magazine article by Claire Roberts, 2013

Claire Roberts interviews Swiss art collector Uli Sigg.

Chris Wallace-Crabbe

Confessional conversations

The portraiture of Kristin Headlam

Magazine article by Fiona Gruber, 2015

Fiona Gruber investigates the work of Australian painter Kristin Headlam.

Eileen Dunne in The Hospital for Sick Children, 1940

The incomparable Beaton

Magazine article by Dr Sarah Engledow, 2005

To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).

Self-Portrait, 1981 by Don Bachardy

Drawing inspiration

Magazine article by Dr Christopher Chapman, 2017

Christopher Chapman absorbs the gentle touch of Don Bachardy’s portraiture.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency