Rebecca Harkins-Cross considers Carol Jerrems’ portraiture against the backdrop of social change in the 1970s.
Isobel Parker Philip introduces artist Thom Roberts, whose distinctive portraits of people, buildings and personified trains define the world as he experiences it.
Sonia Nair looks at Anu Kumar, whose portraiture practice preserves the intimate, in-between moments of her hometown in India.
Preserving stories, subverting power and posing nude: Benjamin Law explores the potency and persuasiveness of portraiture.
Coby Edgar reflects on the artist Joan Ross, whose practice probes the ongoing consequences of colonisation, climate change and consumerism in Australia.
Curator Emma Kindred shares a glimpse of the creative process behind her selection of works for the National Portrait Gallery’s salon hang.
Daniel Browning delves into Tracey Moffatt’s Some lads series, recently acquired in full by the National Portrait Gallery.
Spanning 30 years, these portraits capture a life in music. Violinist, conductor and composer Richard Tognetti AO is Artistic Director of the Australian Chamber Orchestra.
wani toaishara reflects on his experiences, process and motivation for making portraits.
Portrait is the preeminent journal of Australian and international portraiture.
Ryan Presley about portraiture, Emma Kindred on the career of Joan Ross, Ellie Buttrose looks at Archie Moore’s kith and kin, and Joanna Gilmour steps into the world of Julie Rrap.
Kim Leutwyler on her portraits of the LGBTQIA+ community, Oliver Giles chats to Polly Borland, Gunggandji artist Simone Arnol, and Andrew Quilty's new book.
