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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Oz Indie

Under the Milky Way tonight

The Go-Betweens, London, c.1986 Warwick Orme
The Go-Betweens, London, c.1986 Warwick Orme. © Warwick Orme

It was the era of recording your favourite songs directly from the radio; of gluing yourself to the screen to see the latest acts and clips on Countdown; and when the Aussie bands you saw on TV and heard in the charts were the ones you could see live at the pub.

1Get Wet series (Greedy Smith), 1979. 2Get Wet series (Reg Mombassa), 1979. 3Get Wet series (Martin Plaza), 1979. 4Get Wet series (Peter O'Doherty), 1979. 5Get Wet series (David Twohill), 1979. All Paul Worstead. © Paul Worstead

In 1983, Hoodoo Gurus’ first hit ‘My Girl’ was aired to saturation point on the radio. Their quirky, hugely popular video clips were gaining international attention, yet a Sydney punter could stroll down to see them live at a Kings Cross watering hole. Mental as Anything formed at art school; the influence was clear in the design elements of their debut album Get Wet, and in the group’s clips – TV samples of the vibrant eccentricity of their live gigs at Narrabeen’s Royal Antler Hotel or West Melbourne’s Festival Hall.

1Hoodoo Gurus, 1984 Wendy McDougall. Courtesy of the artist. © Wendy McDougall. 2The Church, 1985 Wendy McDougall. Courtesy of the artist. © Wendy McDougall. 3INXS, Sydney 1985 Stuart Spence. Courtesy of the artist. © Stuart Spence. 4Split Enz, 1979 Bob King. Courtesy of the artist. © Bob King.

The Church’s Steve Kilbey remembers the diversity of the early 80s: ‘We were never really fitting in anywhere; we were opening for Mi-Sex, Cold Chisel, Midnight Oil and Men at Work … There was no “sound” but definitely a scene.’ With myriad venues to choose from, a fan could see something to suit their taste on any given night of the week: rock, pop, new wave, metal, punk, post-punk, neo-psychedelic, alternative – the list went on.

1Dorland Bray and Deborah Conway, Do-Re-Mi. Sydney c.1985 Stuart Spence. Courtesy of the artist. © Stuart Spence. 2Falling Joys, La Perouse, 1992 Tony Mott. Courtesy of the artist. © Tony Mott. 3David McComb (of The Triffids), 1987 Bleddyn Butcher. © Bleddyn Butcher. Bleddyn@Tenderprey.com. 4The Triffids, Sydney, c.1986 Stuart Spence. Courtesy of the artist. © Stuart Spence. 5The Cockroaches, Darlinghurst, 1989 Tony Mott. Courtesy of the artist. © Tony Mott.

For some, the local gig scenes weren’t cutting it. Indie acts The Go-Betweens and The Triffids headed to post-punk London, gaining critical acclaim, which in turn increased their popularity back home in Australia.

1Robert, Lindy, Grant, 1981 Jenny Watson. © Jenny Watson. 2Neil Finn, Crowded House 1986 Wendy McDougall. Courtesy of the artist. © Wendy McDougall. 3Grace Knight, The Eurogliders 1985 Wendy McDougall. Courtesy of the artist. © Wendy McDougall. 4GANGgajang 1987 Wendy McDougall. Courtesy of the artist. © Wendy McDougall.

Related information

Young Docteurs, Kingston Hotel, 6 March 1980 (Paul Hayward guitar and Chris Shakallis), 6.3.80 'pling
Young Docteurs, Kingston Hotel, 6 March 1980 (Paul Hayward guitar and Chris Shakallis), 6.3.80 'pling
Young Docteurs, Kingston Hotel, 6 March 1980 (Paul Hayward guitar and Chris Shakallis), 6.3.80 'pling
Young Docteurs, Kingston Hotel, 6 March 1980 (Paul Hayward guitar and Chris Shakallis), 6.3.80 'pling

Canberra cool

In conversation: virtual event

Fri 25 Sep
12:30pm

Your backstage pass to sensational stories about Canberra’s Pub Rock scene with Chris Shakallis (Young Docteurs), Julia Ford (The Framed) and Fiona Edge (keeper of the ‘Pling archive)

Angus Young, AC/DC, LA, 1978 Rennie Ellis
Angus Young, AC/DC, LA, 1978 Rennie Ellis
Angus Young, AC/DC, LA, 1978 Rennie Ellis
Angus Young, AC/DC, LA, 1978 Rennie Ellis

Pub Rock Trivia

Thu 8 Oct
7:00pm

Join us for a bout of FREE pub trivia – all online and live-streamed of course! There’ll be an hour of music mayhem and prizes to be won.

The Lighthouse Keepers, ANU Union, Canberra, 1983. Juliet Ward (vocals), Greg Appel (guitar) 'pling
The Lighthouse Keepers, ANU Union, Canberra, 1983. Juliet Ward (vocals), Greg Appel (guitar) 'pling
The Lighthouse Keepers, ANU Union, Canberra, 1983. Juliet Ward (vocals), Greg Appel (guitar) 'pling
The Lighthouse Keepers, ANU Union, Canberra, 1983. Juliet Ward (vocals), Greg Appel (guitar) 'pling

Tales and time

In conversation: virtual event

Fri 9 Oct
12:30pm

It’s like an after party, but waaay after. Join Greg Appel (Lighthouse Keepers), Robina Gugler (co-writer of Head Full of Flames) and Fiona Edge (Keeper of the ‘Pling archive).

Jimmy Barnes and Ian Moss, Cold Chisel 1980 Wendy McDougall
Jimmy Barnes and Ian Moss, Cold Chisel 1980 Wendy McDougall
Jimmy Barnes and Ian Moss, Cold Chisel 1980 Wendy McDougall
Jimmy Barnes and Ian Moss, Cold Chisel 1980 Wendy McDougall

Squished and sweaty

In conversation: virtual event

Fri 23 Oct
12:30pm

Grab your press pass and hold it tight as we dive camera-first into the mosh pit! Photographers Wendy McDougall and Stuart Spence have captured the likes of INXS, Cold Chisel, Paul Kelly, Tim Freedman and many more.

We would like to thank our partners.
© National Portrait Gallery 2020
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.