A new light installation by Jonathan Jones reflects on the importance of community through the lens of his Wiradjuri and Kamilaroi heritage, whilst also acting as a prompt for gallery visitors to maintain social distancing.
Christopher Chapman looks at influences and insight in the formative years of Arthur Boyd.
Scott Redford discusses his dynamic portrait commission of motorcycling champion and 2008 Young Australian of the Year Casey Stoner.
Editor Stephen Phillips looks at the finalists' photographs through a judge's lens.
Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.
In his speech launching the new National Portrait Gallery building on 3 December 2008, then Prime Minister Kevin Rudd set the Gallery in a national and historical context.
Nathan Faiman delves into the rich life story and legacy of Alan Goldberg.
Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.
Andrew Mayo talks to three of Australia’s most prominent and prolific music photographers — Martin Philbey, Kane Hibberd and Daniel Boud — about the challenges and inspiration behind their craft.
How the National Portrait Gallery and its unique collection came to be
Sarah Engledow describes the fall-out once Brett Whiteley stuck Patrick White’s list of his loves and hates onto his great portrait of the writer.
Penelope Grist reminisces about the halcyon days of a print icon, before the infusion of the internet’s shades of grey.
