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Although the tough, weathered, hard-drinking bushmen of the kind mythologised by writers like Banjo Paterson and Henry Lawson are popularly associated with the character of late nineteenth century Australia, it was also a time when alternative ideas about identity began to come into play.
Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.
Dr Sarah Engledow explores the lives of Sir George Grey and his wife Eliza, the subjects of a pair of wax medallions in the National Portrait Gallery's collection.
Joanna Gilmour looks beyond the ivory face of select portrait miniatures to reveal their sitters’ true grit.
This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.
A magnanimous portrait of Helena Rubinstein has been acquired for the National Portrait Gallery’s collection.
Death masks, post-mortem drawings and other spooky and disquieting portraits... Come and see how portraits of infamous Australians were used in the 19th century.
Judith Pugh reflects on Clifton Pugh's approach to portrait making.
Angus Trumble reflects on the force of nature that was Helena Rubinstein.
The portrait of Janet and Horace Keats with the spirit of the poet Christopher Brennan is brought to life by artist Dora Toovey.
Emily Casey takes in Shirley Purdie’s remarkable self-portrait, Ngalim-Ngalimbooroo Ngagenybe.
Joanna Gilmour revels in accidental artist Charles Rodius’ nineteenth century renderings of Indigenous peoples.
Lee Tulloch remembers her great friend NIDA-trained actor turned photographer Stuart Campbell.
Dr Sarah Engledow writes about the larger-than-life Australian performance artist, Leigh Bowery.
Sarah Engledow reflects on the shared life and writing of Dorothy Porter and Andrea Goldsmith.