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Australian of the Year

The Australian of the Year Awards have often provoked controversy about who is selected and whether their achievements are remarkable.

The cost of living luxuriously

In 1904, the Dowager Empress Marie Feodorovna of Russia purchased as a gift for her sister, Queen Alexandra, a fan composed of two-color gold, guilloché enamel, mother-of-pearl, blond tortoiseshell, gold sequins, silk, cabochon rubies, and rose diamonds from the House of Fabergé in Saint Petersburg.

Uncommon Australians

This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.

Australian Visit

The exhibition will include works of art from the NPG Canberra's permanent collection with some inward loans and aims to highlight the achievements of notable Australians.

My dream job

Artist David M Thomas lists some of the ideas and influences behind his video portraits.

Painters' paradise

Andrew Sayers feels the warmth in the paintings Matthew Perceval made while the sun shone in southern France.

The God-shaped hole

Exploring the photographs of Martin Schoeller, Michael Desmond delves into the uneasy pact that exists between celebrity and the camera.

Tejal Shah

Born in 1979, Tejal Shah grew up in Chhattisgarh, central India, moving to Bombay in 1995.

Moving in creative circles

Harold Cazneaux's portraits of influential Sydneysiders included Margaret Preston and Ethel Turner, both important figures in the development of ideas about Australian identity and culture.

A new perspective

An exhibition devoted to Hans Holbein's English commissions shows the portraitist bringing across the Channel new technical developments in art - with a dazzling facility.

Sea legged frogs

Joanna Gilmour describes some of the stories of the individuals and incidents that define French exploration of Australia and the Pacific.

Portrait Donors

NPPP 2016 exhibition essay

Penny Grist, National Photographic Portrait Prize judge and curator, introduces the 2016 Prize.

Of plague and portraits

Corinna Cullen on the symbolic power of pandemic-related imagery over the ages.

Poise and Carats

I keep going back to Cartier: The Exhibition at the National Gallery of Australia next door, and, within the exhibition, to Princess Marie Louise’s diamond, pearl and sapphire Indian tiara (1923), surely one of the most superb head ornaments ever conceived.