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Long after the portraitist became indifferent to her, and died, a beguiling portrait hung over its subject.
Judith Pugh reflects on Clifton Pugh's approach to portrait making.
Dr. Sarah Engledow discovers the amazing life of Ms. Hilda Spong, little remembered star of the stage, who was captured in a portrait by Tom Roberts.
Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.
The Rajah Quilt’s narrative promptings are as intriguing as the textile is intricate.
One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.