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Most well-regarded pictures of chickens show them dead. A reliable way to tell if a chicken in a painting is dead is to check if it’s hanging upside down, because unlike, say, cockatoos, chickens don’t practise inversion for enjoyment in life.
James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.
Sarah Engledow picks some favourites from a decade of the National Photographic Portrait Prize.
Basil grew into a speckled beauty – a long-legged leaper and an exceptionally vocal dog, with a great register of sounds, ascending in shock value from a whimper to a growl to a bark to a yelp that’s a violation of the ears.
This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.
In 2022 the Annual Appeal was focussed on Mayatjara by Robert Fielding, a series of 24 photographs of Elders of the Anangu Pitjantjatjara Yankunytjatjara community.
The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.
Matthew Jones on the upshot of a St Kilda Road outrage.
Joanna Gilmour, National Photographic Portrait Prize judge and curator, introduces the 2013 Prize.
Joanna Gilmour on the National Photographic Portrait Prize 2013.
Penelope Grist, National Photographic Portrait Prize judge and curator, introduces the 2020 Prize.
Diana Warnes explores the lives of Hal and Katherine 'Kate' Hattam through their portraits painted by Fred Williams and Clifton Pugh.
Inner Worlds evokes a broad view of psychology as a discipline. However, the specific interests of the practitioners whose portraits are included in the exhibition incorporate specialist areas including psychoanalysis.
Claire Roberts interviews Swiss art collector Uli Sigg.
Fiona Gruber investigates the work of Australian painter Kristin Headlam.