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Christopher Chapman examines the battle of glamour vs. grunge which played out in the fashion and advertising of the 1990s.
The considered matching of artist to subject has produced an amazing collection of unique and original works in the permanent collection of the National Portrait Gallery
First Ladies profiles women who have achieved noteworthy firsts over the past 100 years.
Images for media use will be available from 8 March 2018.
The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.
Peter Ciemitis breached regulations when creating the portrait of the polymath environmental scientist George Seddon.
This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.
Tenille Hands explores a portrait prize gifted to the National Screen and Sound Archive.
Beyond the centenary of the ANZAC landings at Gallipoli, a number of other notable anniversaries converge this year. Waterloo deserves a little focussed consideration, for in the decades following 1815 numerous Waterloo and Peninsular War veterans came to Australia.
The oil portrait of Sir Frank Packer KBE by Judy Cassab was gifted to the National Portrait Gallery in 2006.
Artist David M Thomas lists some of the ideas and influences behind his video portraits.
Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.
Joanna Gilmour explores photographic depictions of Aboriginal sportsmen including Lionel Rose, Dave Sands, Jerry Jerome and Douglas Nicholls.
A moving portrait of Cate Blanchett unfolds as an inspired pairing of medium and subject.