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To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).
Joanna Gilmour presents John Kay’s portraits of a more infamous side of Edinburgh.
Select extracts from Mirka Mora's autobiography, Wicked but Virtuous, provide rich accompaniment to recent Gallery acquisitions.
Take a peek at a selection of the portraits you can see in the exhibition.
One of the chief aims of George Stubbs, 1724–1806, the late Judy Egerton’s great 1984–85 exhibition at the Tate Gallery was to provide an eloquent rebuttal to Josiah Wedgwood’s famous remark of 1780: “Noboby suspects Mr Stubs [sic] of painting anything but horses & lions, or dogs & tigers.”
Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.
Joanna Gilmour explores the life and times of convict-turned-artist William Buelow Gould.
The story behind George Lambert's Self-portrait with Gladioli.
Directors of the National Portrait Gallery from 1998 to today.
Angus Trumble salutes the glorious portraiture of Sir Thomas Lawrence.
Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.
Traversing paint and pixels, Inga Walton examines portraits of select women in Tudors to Windsors: British Royal Portraits.
Dr Sarah Engledow tells the story of The Queen’s Diamond Jubilee portrait by Australian artist Ralph Heimans.
Joanna Gilmour explores the life and times of one of Melbourne's early socialites, Jessie Eyre Williams.
Sarah Engledow pens a fond farewell to acclaimed science historian Ann Moyal.
Whether the result of misadventure or misdemeanour, many accomplished artists were transported to Australia where they ultimately left a positive mark on the history of art in this country.