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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Hattie Shepparde
Hattie Shepparde
Hattie Shepparde

Hattie Shepparde, 1872

Bardwell's Royal Studio
Portrait, carte de visite photograph

Collection: National Portrait Gallery
Purchased with funds provided by Graham Smith 2009

Eileen Dunne in The Hospital for Sick Children, 1940

The incomparable Beaton

Magazine article by Dr Sarah Engledow, 2005

To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).

Jack Brabham

Start Your Engines...

Magazine article by Catherine McDonough, 2006

The bronze sculpture by Julie Edgar reflects through both the material and representation the determined and straight-forward nature of Brabham. 

Moonboy, 2010

Observation point

Magazine article by Tim Storrier, 2013

Tim Storrier describes the influences on the development of his artistic style.

David Williamson

The Story So Far...

Magazine article by Simon Elliott, 2002

A reflection on the National Portrait Gallery's first four years.

Rachel Ward and Bryan Brown

Australian Love Stories

4 January 2021
Archived media releases 2021

A major new exhibition celebrating love in all its guises. Opening 20 March 2021.

Catherine Livingstone

Catherine Livingstone, 2018

by Mathew Lynn
General content

Commissioned with funds provided by Tim Fairfax AC 2018

Margot Rhys, 1935 by Athol Shmith

Progressive pictures

Magazine article by Aimee Board, 2017

Athol Shmith’s photographs contributed to the emergence of a new vision of Australian womanhood.

The uncertain recovery, 2012 by Arianne McNaught

Arianne McNaught

Finalist interviews

I think the most important thing in capturing candid shots is to never take the photo when people are expecting you to press the shutter. The more poignant moments are not the stock standard images of people looking at the camera smiling but after or before when they are really interacting with each other.

Tara Gower and Baden Hitchcock, Chicago, 2019 Lisa Tomasetti

Stillness in movement

Magazine article by Tara James, 2024

Tara James shares the joy of dance and its power to connect in the National Portrait Gallery’s touring exhibition Dancer.

She – Unemployed Girl, 2003 by Yu Hong

Yu Hong

Featured Artists

Born 1966 in Beijing, China. Lives and works in Beijing.

Margaret Seares

Margaret Seares, 2018

by Cherry Hood
General content

Commissioned with funds provided by the Sid and Fiona Myer Family Foundation 2018

National Portrait Gallery

History

About us

How the National Portrait Gallery and its unique collection came to be

Tony Bilson

Eating the seasons

Magazine article by Dr Anne Sanders, 2019

Anne Sanders imbibes Tony Bilson’s gastronomic revolution.

As long as you're here, 2013 by Tony Curran

Touchy touchy

Magazine article by Tony Curran, 2015

Tony Curran ponders whether our phones can change the course of painting.

© National Portrait Gallery 2025
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency