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Portrait Donors

Nocturnal animals

Joanna Gilmour explores the enticing urban shadows cast by artists Martin Lewis and Edward Hopper.

Two pair

Arianne McNaught

An interview with the photographer.

Naked nostalgia

Penelope Grist reminisces about the halcyon days of a print icon, before the infusion of the internet’s shades of grey.

In good company

Jean Appleton’s 1965 self portrait makes a fine addition to the National Portrait Gallery’s collection writes Joanna Gilmour.

Brothers on farms

Malcolm Robertson tells the family history of one of Australia's earliest patrons of the arts, his Scottish born great great great grandfather, William Robertson.

Bloodlines

Michelle Fracaro describes Lionel Lindsay's woodcut The Jester (self-portrait).

For the boys

The photographs from Matthew Sleeth's tour of duty series look more like advertisements than images of war.

Vintage Max

Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain.

Getting a head

Alexandra Roginski gets a feel for phrenology’s fundamentals.

More cash than dash

Joanna Gilmour describes how colonial portraitists found the perfect market among social status seeking Sydneysiders.

Indexing, the art of

The first index I created was for my first book, and, to my astonishment, that was almost twenty-five years ago.

Portraits and other stories

As the National Portrait Gallery opens its exhibition of portrait and figurative work by veteran photographer Sam Haskins, the artist reflects on the highlights of his fifty-year career so far.

Public hanging

As a convict Thomas Bock was required to sketch executed murders for science; as a free man, fashionable society portraits.

Portraiture in a Bleak House

It may seem an odd thing to do at one’s leisure on a beautiful tropical island, but I spent much of my midwinter break a few weeks ago re-reading Bleak House.