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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Donated duo

Magazine article by Dr Sarah Engledow, 2009

Dr Sarah Engledow writes about the gift of two striking paintings by the Australian artist Ken Done AM.

Group photograph taken at the coronation of King George VI including Queen Elizabeth II, Duke and Duchess of Gloucester and the Queen Mother, 12 May 1937 by Hay Wrightson

Poise and Carats

About Face article

I keep going back to Cartier: The Exhibition at the National Gallery of Australia next door, and, within the exhibition, to Princess Marie Louise’s diamond, pearl and sapphire Indian tiara (1923), surely one of the most superb head ornaments ever conceived.

Henry Lawson

Regarding Henrys

Magazine article by Dr Sarah Engledow, 2015

Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.

Cachasunghia, Osage Warrior 1804–06 by Charles Balthazar Julien Févret de Saint-Mémin

Political profiles

Magazine article by Joanna Gilmour, 2016

Joanna Gilmour examines the prolific output of Charles Balthazar Julien Févret de Saint-Mémin, and discovers the risk of taking a portrait at face value.

Ellen Stirling

Duty bound

Magazine article by Joanna Gilmour, 2009

Joanna Gilmour explores the life of colonial women Lady Ellen Stirling, Eliza Darling, Lady Eliza Arthur, Elizabeth Macquarie and Lady Jane Franklin.

The National Portrait Gallery

In the galleries

Magazine article by Dr Christopher Chapman, 2009

Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.

George Reid paperweight

Some prime ministers

General content

Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.

Monument to Mrs. Moore St. Luke’s Church, Liverpool, Sydney

Waterloo and Mrs. Moore

About Face article

Beyond the centenary of the ANZAC landings at Gallipoli, a number of other notable anniversaries converge this year. Waterloo deserves a little focussed consideration, for in the decades following 1815 numerous Waterloo and Peninsular War veterans came to Australia.

Barry Humphries

Uncommon Australians

The vision of Gordon and Marilyn Darling

General content

Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.

Thomas Sutcliffe Mort and his wife Theresa

Tiny Trace of a Colonial Giant

Magazine article by Dr Sarah Engledow, 2004

At just 7.8 x 6.2 cm, the daguerreotype of Thomas Sutcliffe Mort and his wife Theresa is one of the smallest works in the collection of the National Portrait Gallery.

Chet Baker, singer, New York City, January 16, 1986 by Richard Avedon

The existential lens

Magazine article by Stephen Zagala, 2013

Stephen Zagala discusses Richard Avedon’s work from an Australian perspective.

Christian Waller with Baldur, Undine and Siren at Fairy Hills, 1932 by Napier Waller

Enigma

Magazine article by Grace Carroll, 2015

Grace Carroll contemplates the curious case of Christian Waller.

Portrait of William Manning, c.1821 by Henry Bone

Of beef in burgundy

Magazine article by Angus Trumble, 2017

Angus Trumble reveals the complex technical mastery behind a striking recent acquisition, Henry Bone’s enamel portrait of William Manning.

Barry Humphries

No Laughing Matter

Magazine article by Simon Elliott, 2002

The biographical exhibition of Barry Humphries was the first display of its kind at the National Portrait Gallery.

Chevalier d’Eon, 1792

All dressed up

Magazine article by Jane Raffan, 2013

Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?

Studio portrait of servicewoman Lance Corporal Kathleen Jean Mary (Kath) Walker, c.1942

Past present

Magazine article by Krysia Kitch, 2016

Krysia Kitch celebrates Oodgeroo Noonuccal.

© National Portrait Gallery 2023
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency