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The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.
Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.
At the time of Herra Pahlasari’s birth in 1978, her academic parents were living in Canberra.
Dr Helen Nugent AO, Chairman, National Portrait Gallery at the opening of 20/20: Celebrating twenty years with twenty new portrait commissions.
David Hansen’s tribute to his close friend, prince of words and former National Portrait Gallery director, the late Angus Trumble.
Michael Desmond explores the complex portrait of Dr Bob Brown by Harold 'The Kangaroo' Thornton.
Traversing paint and pixels, Inga Walton examines portraits of select women in Tudors to Windsors: British Royal Portraits.
Joanna Gilmour explores the enticing urban shadows cast by artists Martin Lewis and Edward Hopper.
An interview with the photographer.
Penelope Grist reminisces about the halcyon days of a print icon, before the infusion of the internet’s shades of grey.
Jean Appleton’s 1965 self portrait makes a fine addition to the National Portrait Gallery’s collection writes Joanna Gilmour.
Malcolm Robertson tells the family history of one of Australia's earliest patrons of the arts, his Scottish born great great great grandfather, William Robertson.
Michelle Fracaro describes Lionel Lindsay's woodcut The Jester (self-portrait).
The photographs from Matthew Sleeth's tour of duty series look more like advertisements than images of war.