Christopher Chapman ponders our digital identity and selfhood.
How the National Portrait Gallery and its unique collection came to be
Michael Desmond, National Photographic Portrait Prize judge and curator, introduces the 2007 Prize.
Michael Desmond profiles a handful of the entrants in first National Photographic Portrait Prize and notes emerging themes and categories.
Joanna Gilmour explores photographic depictions of Aboriginal sportsmen including Lionel Rose, Dave Sands, Jerry Jerome and Douglas Nicholls.
A toast to the acquisition of an unconventional new portrait of former Prime Minister, Stanley Melbourne Bruce.
The art of Australia’s colonial women painters affords us an invaluable, alternative perspective on the nascent nation-building project.
Charles Haddon Chambers the Australian-born playboy playwright settled permanently in London in 1880 but never lost his Australian stance when satirising the English.
Joanna Gilmour explores the life of Chinese-Australian businessman and philanthropist Quong Tart.
Michael Desmond introduces some of the ideas behind the exhibition Present Tense: An imagined grammar of portraiture in the digital age.
Representations of the inhabitants of the new world expose the complexities of the colonisers' intentions.
Dr Sarah Engledow writes about the gift of two striking paintings by the Australian artist Ken Done AM.
Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.
Joanna Gilmour examines the prolific output of Charles Balthazar Julien Févret de Saint-Mémin, and discovers the risk of taking a portrait at face value.
Joanna Gilmour explores the life of colonial women Lady Ellen Stirling, Eliza Darling, Lady Eliza Arthur, Elizabeth Macquarie and Lady Jane Franklin.
Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.
