Pamela Gerrish Nunn explores New Zealand’s premium award for portraiture.
Whether the result of misadventure or misdemeanour, many accomplished artists were transported to Australia where they ultimately left a positive mark on the history of art in this country.
Jerrold Nathan's portrait of Jessie Street shows the elegant side of a many-faceted lady.
Charting a path from cockatiel to finch, Annette Twyman explores her family portraits and stories.
Michael Wardell samples the fare in the University of Queensland National Self-portrait Prize.
Joanna Gilmour discovers that the beards of the ill-fated explorers Burke and Wills were as epic as their expedition to traverse Australia from south to north.
Christopher Chapman absorbs the gentle touch of Don Bachardy’s portraiture.
The complex connections between four creative Australians; Patrick White, Sidney Nolan, Robert Helpmann and Peter Sculthorpe.
Aircraft designer, pilot and entrepreneur, Sir Lawrence Wackett rejoins friends and colleagues on the walls of the National Portrait Gallery.
Vanity Fair Editor David Friend describes how the rebirth of the magazine sated our desire for access into the lives of celebrities and set the standard for the new era of portrait photography.
A toast to the acquisition of an unconventional new portrait of former Prime Minister, Stanley Melbourne Bruce.
Judith Pugh reflects on Clifton Pugh's approach to portrait making.
Sarah Engledow lauds the very civil service of Dame Helen Blaxland.
One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.
