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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Search / james martin

Nothing's as precious as a hole in the ground

Protest!

How can we dance when our earth is turning?

General content

Rock’s raw potency made it the ideal medium for fomenting protest. The 1970s, 80s and onwards saw calls for social and environmental justice ring out through song.

Jessie Robertson

Jessie Robertson

Jessie Robertson

Jessie Robertson, c. 1849

Portrait, pencil, chalk and gouache on paper

Collection: National Portrait Gallery
Purchased with funds provided by L Gordon Darling AC CMG and Marilyn Darling AC 2013

Sir Thomas Stamford Bingley Raffles, 1824 by James Thomson

Audacity, audacity, audacity

About Face article

Angus delves into the biographies of two ambitious characters; Sir Stamford Raffles and Sir John Pope-Hennessy.

Miss Elizabeth Roberts

Elizabeth Roberts

Elizabeth Roberts (1812–1833) was the daughter of Warwickshire-born William Roberts (1754–1819) and his wife, Jane (née Longhurst, c.

1 portrait in the collection

Daniel Johns, Silverchair Melbourne 2007 by Martin Philbey

Rock art

Magazine article by Andrew Mayo, 2016

Andrew Mayo talks to three of Australia’s most prominent and prolific music photographers — Martin Philbey, Kane Hibberd and Daniel Boud — about the challenges and inspiration behind their craft.

Mr John Eason

Mr John Eason

Mr John Eason

Mr John Eason, 1838

Portrait, oil on canvas

Purchased with funds provided by the Liangis family 2013

Some women you may not know, 2022-2023 Alison Alder

Some women you may not know

‘Everybody’s lives are built by so many influences, and for me, it is writers, artists and activists who have influenced how I think about the world.’

Elle Macpherson

Australian Visit

Previous exhibition, 2006

The exhibition will include works of art from the NPG Canberra's permanent collection with some inward loans and aims to highlight the achievements of notable Australians.

A Goldfields Member

Showing character

Magazine article by Joanna Gilmour, 2016

Joanna Gilmour on Tom Durkin playing with Melbourne's manhood.

What the tree saw: David Foster

What the tree saw: David Foster, 2018

by Jacqui Stockdale

General content

Commissioned with funds provided by the Sid and Fiona Myer Family Foundation 2018

Dr J.R. Vickery, O.B.E.

Dr J.R. Vickery, O.B.E.

Dr J.R. Vickery, O.B.E.

Dr J.R. Vickery, O.B.E., 1967

William Pidgeon

Portrait, oil on canvas

Collection: National Portrait Gallery
Gift of the CSIRO Agriculture and Food Division 2017

Clive James

Golden Jubilee

Magazine article by Magda Keaney, 2002

Polly Borland's photograph of The Queen was commissioned by Buckingham Palace as part of a series of high profile celebrations to mark the Golden Jubilee.

Sir Thomas Gore-Browne

Sir Thomas Gore-Browne

Sir Thomas Gore-Browne

Sir Thomas Gore-Browne, 1864

Portrait, tinted lithograph on paper

Collection: National Portrait Gallery
Purchased 2018

Sydney Cove medallion, 1789 by Josiah Wedgwood

The medallion

About Face article

In recent years I have become fascinated by the so-called Sydney Cove Medallion (1789), a work of art that bridges the 10,000-mile gap between the newly established penal settlement at Port Jackson and the beating heart of Enlightenment England.

William Robertson

200 Years of Portraiture

About Face article

To celebrate his family bicentenary, Malcolm Robertson looks at the portraiture legacy left by his ancestors.

In the Lounge, 2006 by North Sullivan

Seduce, Amuse, Entertain

NPPP 2007 exhibition essay

General content

Michael Desmond, National Photographic Portrait Prize judge and curator, introduces the 2007 Prize.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency