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The restrained and cultivated facial hair fashions evident through the first decades of the 1800s were on the wane by the middle of the century, when hirsute faces became mainstream.
Henri-Cartier-Bresson invented the grammar for photographing life in the 20th century.
Certain European leaders (needless to name) had the effect of making certain styles of facial hair decidedly undesirable in the years immediately after World War 2.
Collection: National Portrait Gallery
Purchased 2011
Joanna Gilmour explores the 1790 portrait of William Bligh by Robert Dodd.
An interview with the photographer.
Joanna Gilmour presents John Kay’s portraits of a more infamous side of Edinburgh.
Joanna Gilmour recounts the story of ill-fated sea voyages in the early stages of the Antipodean colony.
James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.
The exhibition Aussies all features the ecclectic portrait photography of Rennie Ellis which captures Australian life during the 70s and 80s.
Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2009 Prize.
Angus Trumble salutes the glorious portraiture of Sir Thomas Lawrence.
Sarah Engledow plays wingman to Leila Jeffreys.
The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.
Peter Jeffrey trips the hound nostalgic.