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Michael Desmond reveals the origins of composite portraits and their evolution in the pursuit of the ideal.
Michael Riley’s early portraits by Amanda Rowell.
The National Portrait Gallery's acquisition of the portrait of Edward John Eyre by pioneering English photographer Julia Margaret Cameron.
Joanna Gilmour examines the prolific output of Charles Balthazar Julien Févret de Saint-Mémin, and discovers the risk of taking a portrait at face value.
Faith Stellmaker shares pioneering artist and restaurateur Mirka Mora’s lasting legacy on Melbourne’s art, dining and culture.
The death of a gentlewoman is shrouded in mystery, a well-liked governor finds love after sorrow, and two upright men become entangled in the historical record.
Basil grew into a speckled beauty – a long-legged leaper and an exceptionally vocal dog, with a great register of sounds, ascending in shock value from a whimper to a growl to a bark to a yelp that’s a violation of the ears.
Joanna Gilmour describes how colonial portraitists found the perfect market among social status seeking Sydneysiders.
The first index I created was for my first book, and, to my astonishment, that was almost twenty-five years ago.
As a convict Thomas Bock was required to sketch executed murders for science; as a free man, fashionable society portraits.
Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.
Penelope Grist’s spirits soar with Lisa Tomasetti’s Dancers in the Streets series.
Martin Sharp fulfils the Pop art idiom of merging art and life.
A National Portrait Gallery, London exhibition redefines portraiture, shifting the focus towards a new perspective on Pop Art.
Inga Walton delves into the bohemian group of artists and writers who used each other as muses and transformed British culture.