Henri-Cartier-Bresson invented the grammar for photographing life in the 20th century.
Joanna Gilmour explores the 1790 portrait of William Bligh by Robert Dodd.
Joanna Gilmour presents John Kay’s portraits of a more infamous side of Edinburgh.
Joanna Gilmour recounts the story of ill-fated sea voyages in the early stages of the Antipodean colony.
James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.
The exhibition Aussies all features the ecclectic portrait photography of Rennie Ellis which captures Australian life during the 70s and 80s.
Angus Trumble salutes the glorious portraiture of Sir Thomas Lawrence.
Sarah Engledow plays wingman to Leila Jeffreys.
The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.
Peter Jeffrey trips the hound nostalgic.
Sarah Engledow on a foundational gallery figure who was quick on the draw.
Christopher Chapman immerses himself in Larry Clark’s field of vision.
Sarah Engledow likes the manifold mediums of Nicholas Harding’s portraiture.
Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.
Pamela Gerrish Nunn explores New Zealand’s premium award for portraiture.
Joanna Gilmour accounts for Australia’s deliciously ghoulish nineteenth century criminal portraiture.
