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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Peter Wilmoth, age 12, with copies of Our World 1974 Courtesy of the author

Paper, boy

Magazine article by Peter Wilmoth, 2016

Peter Wilmoth’s boy-journalist toolkit for antagonising an Australian political giant.

Miss Alesandra, 2010

The more things change

Magazine article by Dr Sarah Engledow, 2011

National Photographic Portrait Prize curator, Sarah Engledow, finds reward in a difficult task and ultimately uncovers the essence of portraiture.

Andy Thomas

Uncommon Australians

The vision of Gordon and Marilyn Darling

Previous exhibition, 2015

This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.

Mrs Elizabeth Lewis

Elizabeth Lewis

Mortimer Lewis (1796–1879), surveyor and architect, and his wife Elizabeth (née Clements, c.

1 portrait in the collection

Mr Mortimer Lewis

Mortimer Lewis

Mortimer Lewis (1796–1879), surveyor and architect, and his wife Elizabeth (née Clements, c.

1 portrait in the collection

Gough Whitlam

Prime Ministers

About Face article

On the day before the Hon. E. G. Whitlam, AC, QC, died last month, at the great age of 98, there were seven former prime ministers of Australia still living, plus the incumbent Mr. Abbott – eight in all.

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Bob Jenyns

Robert ‘Bob’ Jenyns (1944-2015) grew up in Victoria and gained his diploma in art from the Caulfield Institute of Technology in 1964.

1 portrait in the collection

Elle Macpherson

Australian Visit

Previous exhibition, 2006

The exhibition will include works of art from the NPG Canberra's permanent collection with some inward loans and aims to highlight the achievements of notable Australians.

Self portrait with glove

To Look Within

Self Portraits in Australia

Previous exhibition, 2004

This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present

Mrs Elizabeth Lewis

Mrs Elizabeth Lewis

Mrs Elizabeth Lewis

Mrs Elizabeth Lewis, c. 1830

an unknown artist

Portrait, watercolour on ivory

Gift of Leo Schofield AM 2002. Donated through the Australian Government's Cultural Gifts Program.

Nothing's as precious as a hole in the ground

Protest!

How can we dance when our earth is turning?

General content

Rock’s raw potency made it the ideal medium for fomenting protest. The 1970s, 80s and onwards saw calls for social and environmental justice ring out through song.

At the bus stop, 2011 by Brenton McGeachie

Brenton McGeachie

NPPP 2012 learning resource

An interview with the photographer.

image not online

William P. Dowling

William Paul Dowling (1824–1877) is thought to have studied art in his native Dublin before settling in London, where he worked as a draughtsman while trying to establish himself as a portraitist.

1 portrait in the collection

Johnny O'Keefe

Making Portraits

Five Years of National Portrait Gallery Commissions

Previous exhibition, 2004

The considered matching of artist to subject has produced an amazing collection of unique and original works in the permanent collection of the National Portrait Gallery

Julia Matthews

Julia Matthews

Julia Matthews

Julia Matthews, c. 1862

Portrait, albumen silver photograph carte de visite on card

Collection: National Portrait Gallery
Purchased 2010

Michael Kimmelman

Magazine article by Pamela Gray, 2002

Michael Kimmelman, Chief Art Critic of The New York Times and author of Portraits: Talking with Artists at the Met, the Modern, the Louvre and Elsewhere, presented the National Portrait Gallery Third Anniversary Lecture on 2 March 2002. He was generously brought to Australia by the Gordon Darling Foundation and Qantas.

© National Portrait Gallery 2025
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency