Sarah Engledow likes the manifold mediums of Nicholas Harding’s portraiture.
Angus Trumble salutes the glorious portraiture of Sir Thomas Lawrence.
Anne Sanders finds connections in Inner Worlds between Hungarian expatriates and the development of psychoanalysis in Australia.
This edited version of a speech by Andrew Sayers examines some of the antecedents of the National Portrait Gallery and set out the ideas behind the modern Gallery and its collection.
Robyn Sweaney's quiet Violet obsession.
Ensconced and meditative in crisp Tasmania, Joanna Gilmour pays tribute to passionate green advocate and photographer Olegas Truchanas.
Jenny Gall delves into Starstruck to celebrate some of Australian cinema’s iconic women.
Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.
An extract from the 2004 Nuala O'Flaaherty Memorial Lecture at the Queen Victoria Musuem and Art Gallery in Launceston in which Andrew Sayers reflects on the unique qualities of a portrait gallery.
Krysia Kitch reviews black chronicles at the National Portrait Gallery, London.
One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.
Tenille Hands explores a portrait prize gifted to the National Screen and Sound Archive.
Sharon Peoples contemplates costumes and the construction of identity.
Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2014 Prize.
Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.
Sarah Engledow looks at three decades of Nicholas Harding's portraiture.
