Search / thomas carr

When birds no longer sing

Emma Kindred looks at the career of Joan Ross, whose work subverts colonial imagery and its legacy with the clash of fluorescent yellow.

Inditchenous beestes of New Olland

A remarkable undated drawing by Edward Lear (1812–88) blends natural history and whimsy.

In the round

Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.

The God-shaped hole

Exploring the photographs of Martin Schoeller, Michael Desmond delves into the uneasy pact that exists between celebrity and the camera.

All dressed up

Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?

Hide/Seek

David Ward writes about the exhibition Hide/Seek: Difference and Desire in American Portraiture on display at the National Portrait Gallery, Washington.

Memories

The second row of paintings recall stories relating to specific sites, experiences and activities.

Bill and Ted's excellent portrait.

Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.

Take thy face hence

Joanna Gilmour travels through time to explore the National Portrait Gallery London’s masterpieces in Shakespeare to Winehouse.

Portrait Donors

Showing character

Joanna Gilmour on Tom Durkin playing with Melbourne's manhood.

The art of conciliation

Gareth Knapman explores the politics and opportunism behind the portraits of Tasmania’s Black War.

Paper weight

Joanna Gilmour delves into a collection display that celebrates the immediacy and potency of drawing as an art form in its own right.

The medallion

In recent years I have become fascinated by the so-called Sydney Cove Medallion (1789), a work of art that bridges the 10,000-mile gap between the newly established penal settlement at Port Jackson and the beating heart of Enlightenment England.

200 Years of Portraiture

To celebrate his family bicentenary, Malcolm Robertson looks at the portraiture legacy left by his ancestors.

Subtle emotion

Christopher Chapman considers photographer Rozalind Drummond's portrait of author Nam Le.