Search / thomas asche

Bill and Ted's excellent portrait.

Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.

Take thy face hence

Joanna Gilmour travels through time to explore the National Portrait Gallery London’s masterpieces in Shakespeare to Winehouse.

Portrait Donors

Showing character

Joanna Gilmour on Tom Durkin playing with Melbourne's manhood.

The art of conciliation

Gareth Knapman explores the politics and opportunism behind the portraits of Tasmania’s Black War.

Paper weight

Joanna Gilmour delves into a collection display that celebrates the immediacy and potency of drawing as an art form in its own right.

The medallion

In recent years I have become fascinated by the so-called Sydney Cove Medallion (1789), a work of art that bridges the 10,000-mile gap between the newly established penal settlement at Port Jackson and the beating heart of Enlightenment England.

200 Years of Portraiture

To celebrate his family bicentenary, Malcolm Robertson looks at the portraiture legacy left by his ancestors.

Subtle emotion

Christopher Chapman considers photographer Rozalind Drummond's portrait of author Nam Le.

Apollo's breath

Christopher Chapman delights in the intimacy of Robert Mapplethorpe's photography

Support Crew

Portraits of philanthropists in the collection honour their contributions to Australia and acknowledge their support of the National Portrait Gallery.

Embrace your inner nerd

The southern winter has arrived. For people in the northern hemisphere (the majority of humanity) the idea of snow and ice, freezing mist and fog in June, potentially continuing through to August and beyond, encapsulates the topsy-turvidom of our southern continent.

Dempsey's people

Those of you who are active in social media circles may be aware that through the past week I have unleashed a blitz on Facebook and Instagram in connection with our new winter exhibition Dempsey’s People: A Folio of British Street Portraits, 1824−1844.

Conflicting images

Michael Desmond reveals the origins of composite portraits and their evolution in the pursuit of the ideal.

Brothers on farms

Malcolm Robertson tells the family history of one of Australia's earliest patrons of the arts, his Scottish born great great great grandfather, William Robertson.

Hearts of Darkness

The National Portrait Gallery's acquisition of the portrait of Edward John Eyre by pioneering English photographer Julia Margaret Cameron.