- About us
- Support the Gallery
- Venue hire
- Publications
- Research library
- Organisation chart
- Employment
- Contact us
- Make a booking
- Onsite programs
- Online programs
- School visit information
- Learning resources
- Little Darlings
- Professional learning
A design diary retrospective.
Pamela Gerrish Nunn explores New Zealand’s premium award for portraiture.
Andrew Sayers explores the self-portraits created by Australian artist Sidney Nolan.
Christopher Chapman looks at influences and insight in the formative years of Arthur Boyd.
Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.
Curator Michael Desmond introduces the exhibition Truth and Likeness, an investigation of the importance of likeness to portraiture.
The photographs from Matthew Sleeth's tour of duty series look more like advertisements than images of war.
Diana Warnes explores the lives of Hal and Katherine 'Kate' Hattam through their portraits painted by Fred Williams and Clifton Pugh.
Curator, Penny Grist, reveals how this exhibition came to be
Michael Desmond charts the path of portraiture, arriving at Julian Opie’s digital realm.
Angus Trumble reflects on the force of nature that was Helena Rubinstein.
Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.
Nathan Faiman delves into the rich life story and legacy of Alan Goldberg.
Where do we draw a line between the personal and the historical? Although she died in Melbourne in 1975, when I was not quite eleven years old, I have the vividest memories of my maternal grandmother Helen Borthwick.
Family affections are preserved in a fine selection of intimate portraits.
Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.