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Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.
Curator Michael Desmond introduces the exhibition Truth and Likeness, an investigation of the importance of likeness to portraiture.
The photographs from Matthew Sleeth's tour of duty series look more like advertisements than images of war.
Robyn Sweaney's quiet Violet obsession.
Penny Grist on motivation, method and melancholy in the portraiture of Darren McDonald.
Dr Sarah Engledow traces the significant links between Antonio Dattilo-Rubbo and Evelyn Chapman through their portraits.
Diana Warnes explores the lives of Hal and Katherine 'Kate' Hattam through their portraits painted by Fred Williams and Clifton Pugh.
Andrew Mayo talks to three of Australia’s most prominent and prolific music photographers — Martin Philbey, Kane Hibberd and Daniel Boud — about the challenges and inspiration behind their craft.
Fiona Gruber investigates the work of Australian painter Kristin Headlam.
Michael Desmond charts the path of portraiture, arriving at Julian Opie’s digital realm.
Angus Trumble reflects on the force of nature that was Helena Rubinstein.
Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.
Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.
Sarah Engledow lauds the very civil service of Dame Helen Blaxland.
Diana O’Neil samples the tartan treats on offer in the Scottish National Portrait Gallery.
Jane Raffan examines unique styles of Indigenous portraiture that challenge traditional Western concepts of the artform.