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A remarkable undated drawing by Edward Lear (1812–88) blends natural history and whimsy.
Magda Keaney explores the symbolism in eX de Medici's portrait of Midnight Oil.
Roger Neill delves into the life of a lesser-known Australian diva, Frances Alda.
The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.
Mark Haworth-Booth explains why Bill Brandt is one of the most important British photographers of the Twentieth Century.
The fourth row of paintings interweave Ngarranggarni, memories, relationships and Country.
Emma Batchelor uncovers the compelling contemporary dance made in response to the works in Shakespeare to Winehouse.
In March 2003 Magda Keaney travelled to London to join the photography section of the Victoria & Albert Museum for three months.
Exhibition curator Christine Clark introduces the work by Indonesian artist Agus Suwage created for Beyond the self: Contemporary portraiture from Asia.
Sarah Engledow describes the fall-out once Brett Whiteley stuck Patrick White’s list of his loves and hates onto his great portrait of the writer.
Jose Legaspi was born in 1959 in Manila. He achieved degrees in zoology and biology before turning to fine arts in the mid-1980s.
The wild balancing act of McDonald’s home décor (is that there as a joke? where do I actually sit down? is this ironic or what? what a lovely photo of Darren and Robin in Europe!) is reflected in his own personality.
David Ward writes about the exhibition Hide/Seek: Difference and Desire in American Portraiture on display at the National Portrait Gallery, Washington.
David Solkin ponders the provocations and inspirations of the enigmatic Thomas Gainsborough.
Born in 1959, Agus Suwage was educated in the creative hub of Central Java, Yogyakarta before moving west to study graphic design at the Bandung Institute of Technology.