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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Richard Morecroft & Alison Mackay, 2016 by Gary Grealy

Gary Grealy wins National Photographic Portrait Prize 2017

31 March 2017
Archived media releases 2017

After months of anticipation, the winner for the National Photographic Portrait Prize 2017 has been announced with renowned Sydney portrait photographer Gary Grealy taking out the award. George Fetting, guest judge for the 2017 Prize, was entranced with the evocative nature of the winning portrait Richard Morecroft and Alison Mackay.

Installing David Walsh

On the road again

Magazine article by Dr Deborah Hill, 2017

Deborah Hill talks figures with character, as the National Portrait Gallery touring exhibitions program welcomes its millionth visitor.

Karen Gillan, 2010

Hot Scots

Magazine article by Christopher Baker, 2013

James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.

Louis XVI giving final instructions to the Comte de La Perouse, c. 1785

Sea legged frogs

Magazine article by Joanna Gilmour, 2011

Joanna Gilmour describes some of the stories of the individuals and incidents that define French exploration of Australia and the Pacific.

Handing on the baton

Magazine article by Michael Desmond, 2009

Michael Desmond explores the life of ballerina Irina Baranova through the portrait by Australian artist Jenny Sages.

Costantini's convictions

Magazine article by Joanna Gilmour, 2017

Jo Gilmour uncovers endearing authenticity in the art of a twice-transported Tasmanian.

Conduct becoming

Magazine article by Penelope Grist, 2017

Penelope Grist speaks to Bill Henson and Simone Young to discover the origins of the artist’s stunning photographic triptych.

Study for self-portrait, 1963

Inside outside

Magazine article by Michael Desmond, 2010

Michael Desmond explores the portraiture of Francis Bacon and Lucian Freud.

Life class

Magazine article by Leonie Hellmers, 2004

Barbara Blackman reflects on her experiences as a life model.

Helen Blaxland judging flower arrangements, c. 1940s photographer unknown

Petal to the mettle

Magazine article by Dr Sarah Engledow, 2019

Sarah Engledow lauds the very civil service of Dame Helen Blaxland.

Sir Henry Unton

Icons and imagery

Magazine article by Alison Weir, 2011

Alison Weir explores the National Portrait Gallery, London and the BP Portrait Award to find what makes a good painted portrait - past and present.

Bloodlines

Magazine article by Michelle Fracaro, 2004

Michelle Fracaro describes Lionel Lindsay's woodcut The Jester (self-portrait).

Writing on the Wall, 2019 Dr Christian Thompson AO

To arrive at hope

NPPP 2020 exhibition essay
General content

Penelope Grist, National Photographic Portrait Prize judge and curator, introduces the 2020 Prize.

Expect the unexpected

Magazine article by Joanna Gilmour, 2019

Joanna Gilmour revels in accidental artist Charles Rodius’ nineteenth century renderings of Indigenous peoples.

Dulcie Deamer, c. 1920

Out of the shadows

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour profiles the life and times of the shutter sisters May and Mina Moore.

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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The National Portrait Gallery is an Australian Government Agency