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Chris O'Doherty, also known as Reg Mombassa, is best-known for his Mambo imagery but he also paints a lot of self portraits.
Christopher Chapman looks at influences and insight in the formative years of Arthur Boyd.
John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.
Tegan McAuley looks at the evolution of video portraiture.
Penelope Grist spends some quality time with the Portrait Gallery’s summer collection exhibition, Eye to Eye.
Vanity Fair Editor David Friend describes how the rebirth of the magazine sated our desire for access into the lives of celebrities and set the standard for the new era of portrait photography.
Penelope Grist charts an immersive path through Stuart Spence’s photography.
Anne Sanders finds connections in Inner Worlds between Hungarian expatriates and the development of psychoanalysis in Australia.
Robyn Sweaney's quiet Violet obsession.
Penny Grist on motivation, method and melancholy in the portraiture of Darren McDonald.
Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.
Gael Newton looks at Australian photography, film and the sixties through the novel lens of Mark Strizic.
Anne Sanders imbibes Tony Bilson’s gastronomic revolution.
Penelope Grist speaks to Robert McFarlane about shooting for the stars.
Tenille Hands explores a portrait prize gifted to the National Screen and Sound Archive.
Jennifer Higgie uncovers the intriguing stories behind portraits of women by women in the National Portrait Gallery’s collection.