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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Mary (or Diana) Croker, mat woman, Colchester, 1823 by John Dempsey

Unknown drawer

Magazine article by Dr David Hansen, 2017

Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.

Omai, Sir Joseph Banks and Daniel Solander, 1775-76

First encounters

Magazine article by Joanna Gilmour, 2011

Representations of the inhabitants of the new world expose the complexities of the colonisers' intentions.

Sir Sidney Kidman

The fat of the land

Magazine article by Dr Sarah Engledow, 2009

Sir Sidney Kidman (1857-1935) is inscribed in Australian legend as the ‘Cattle King’. 

Cachasunghia, Osage Warrior 1804–06 by Charles Balthazar Julien Févret de Saint-Mémin

Political profiles

Magazine article by Joanna Gilmour, 2016

Joanna Gilmour examines the prolific output of Charles Balthazar Julien Févret de Saint-Mémin, and discovers the risk of taking a portrait at face value.

Sunset in the drawing room at Chesney Wold by Hablot Knight Brown

Portraiture in a Bleak House

About Face article

It may seem an odd thing to do at one’s leisure on a beautiful tropical island, but I spent much of my midwinter break a few weeks ago re-reading Bleak House.

Kinky Night. Impressions Club, 1987

Aussies all

Magazine article by Simon Elliott, 2006

The exhibition Aussies all features the ecclectic portrait photography of Rennie Ellis which captures Australian life during the 70s and 80s.

Portrait of Captain James Cook RN

Thrown together

Magazine article by Dr Sarah Engledow, 2009

Shipmates for years, James Cook and Joseph Banks each kept a journal but neither man shed light on their relationship.

Sir Henry Unton

Icons and imagery

Magazine article by Alison Weir, 2011

Alison Weir explores the National Portrait Gallery, London and the BP Portrait Award to find what makes a good painted portrait - past and present.

Life Dancers, 2015 by Elizabeth Looker

NPPP 2016 exhibition essay

General content

Penny Grist, National Photographic Portrait Prize judge and curator, introduces the 2016 Prize.

Mr John Eason

The shipwright's arms

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour explores the life and times of convict-turned-artist William Buelow Gould.

© National Portrait Gallery 2023
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency