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Anne Sanders and Christopher Chapman bring passionate characterisation to Express Yourself, the Portrait Gallery collection exhibition celebrating iconoclastic Australians.
Blue Mountain, Owner, Trainer, Jockey, James Scobie 1887 by Frederick Woodhouse Snr. is a portrait of James Scobie, well known jockey and eminent horse trainer.
Michael Desmond in conversation with University of Houston professor of philosophy Cynthia Freeland.
Dr Sarah Engledow examines a number of figures in the collection of the National Portrait Gallery who were pioneers or substantial supporters of the seminal Australian environmental campaigns of the early 1970s and 1980s.
As the National Portrait Gallery opens its exhibition of portrait and figurative work by veteran photographer Sam Haskins, the artist reflects on the highlights of his fifty-year career so far.
An extensive selection of portraits by John Brack were on display at the National Portrait Gallery in late 2007.
Penelope Grist finds inspiration in pioneering New Zealand artist, Frances Hodgkins.
Peter Wilmoth’s boy-journalist toolkit for antagonising an Australian political giant.
Anne O’Hehir on the seductive power of the film still to reflect and shape ourselves and our cultural landscape.
To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).
The art of Australia’s colonial women painters affords us an invaluable, alternative perspective on the nascent nation-building project.
Joanna Gilmour profiles Violet Teague, whose sophisticated works hid her originality and non-conformity in plain sight.
Joanna Gilmour explores the life and times of convict-turned-artist William Buelow Gould.
Sarah Engledow lauds the very civil service of Dame Helen Blaxland.