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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Sappho, 1865

Mrs Cameron and the V&A

Magazine article by Magda Keaney, 2003

In March 2003 Magda Keaney travelled to London to join the photography section of the Victoria & Albert Museum for three months.

Nancy Bird Walton, c. 1938

The aviatrix

Magazine article by Joanna Gilmour, 2009

Joanna Gilmour explores the extraordinary life of Australian female aviator Nancy Bird Walton AO OBE

Portrait bust of Dr Christine Rivett

In the round

Magazine article by Andrew Sayers AM, 2009

Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.

Sidney Myer

Four from the 30s

Magazine article by Andrew Sayers AM, 2003

Australia's tradition of sculpted portraits stretches back to the early decades of the nineteenth century and continues to sustain a group of dedicated sculptors.

William Charles Wentworth -The Australian Patriot

The Wentworths – Hidden in Plain Sight

Magazine article by Grace Carroll, 2015

Grace Carroll on the gendered world of the Wentworths.

Sir Sidney Kidman

The fat of the land

Magazine article by Dr Sarah Engledow, 2009

Sir Sidney Kidman (1857-1935) is inscribed in Australian legend as the ‘Cattle King’. 

Barbara Blackman

Life class

Magazine article by Leonie Hellmers, 2004

Barbara Blackman reflects on her experiences as a life model.

James Oswald Fairfax

The Fairfax Gift

Magazine article by Andrew Sayers AM, 2003

This article examines the portraits gifted to the National Portrait Gallery by Fairfax Holdings in 2003.

Sir William Charles Windeyer

Private virtues public lives

Magazine article by Joanna Gilmour, 2010

Family affections are preserved in a fine selection of intimate portraits.

Self portrait

Expect the unexpected

Magazine article by Joanna Gilmour, 2019

Joanna Gilmour revels in accidental artist Charles Rodius’ nineteenth century renderings of Indigenous peoples.

The National Portrait Gallery

In the galleries

Magazine article by Dr Christopher Chapman, 2009

Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.

Betty Bryant, c. 1939

The life of Bryant

Magazine article by Tenille Hands, 2018

Tenille Hands explores a portrait prize gifted to the National Screen and Sound Archive.

Victor Trumper

Top shot that

Magazine article by Gideon Haigh, 2009

Gideon Haigh discusses portraits of Australian cricketers from the early 20th century

Venetia, Lady Digby, circa 1633-1634 by Sir Anthony van Dyck

Love in the extreme

Magazine article by Joanna Gilmour, 2020

Joanna Gilmour reveals love’s more intense manifestations in the tale of Lord Kenelm and Venetia Digby.

The cook (Michael Schmidt/architect), 1987

Hall of mirrors

Magazine article by Naomi Cass, 2007

Naomi Cass, Director of the Centre of Contemporary Photography, in conversation with Anne Zahalka.

Installing David Walsh

On the road again

Magazine article by Dr Deborah Hill, 2017

Deborah Hill talks figures with character, as the National Portrait Gallery touring exhibitions program welcomes its millionth visitor.

© National Portrait Gallery 2021
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency