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Grace Carroll contemplates the curious case of Christian Waller.
An exploration of national identity in the Canadian context drawn from the symposium Face to Face at the Scottish National Portrait Gallery in 2004.
Inga Walton traces the poignant path of photographer Polixeni Papapetrou, revealed in the NGV’s summer retrospective.
David Gist steps beyond the public relations veneer of Australia’s official Vietnam War portrait photographs.
Joanna Gilmour travels through time to explore the National Portrait Gallery London’s masterpieces in Shakespeare to Winehouse.
Karen Vickery on Chang the Chinese giant in Australia.
Joanna Gilmour reflects on 25 years of collecting at the National Portrait Gallery.
Christopher Chapman takes a trip through the doors of perception, arriving at the junction of surrealism and psychoanalysis.
Sandra Bruce gazes on love and the portrait through Australian Love Stories’ multi-faceted prism.
Sharon Peoples contemplates costumes and the construction of identity.
Jean Appleton’s 1965 self portrait makes a fine addition to the National Portrait Gallery’s collection writes Joanna Gilmour.
Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.
Karl James gives short shrift to doubts about the profile of General Sir John Monash.
Sarah Engledow previews the beguiling summer exhibition, Idle hours.
Celebrating a new painted portrait of Joseph Banks, Sarah Engledow spins a yarn of the naturalist, the first kangaroo in France and Don, a Spanish ram.
Alexandra Roginski gets a feel for phrenology’s fundamentals.