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Sandra Bruce gazes on love and the portrait through Australian Love Stories’ multi-faceted prism.
David Hansen’s tribute to his close friend, prince of words and former National Portrait Gallery director, the late Angus Trumble.
An exhibition devoted to Hans Holbein's English commissions shows the portraitist bringing across the Channel new technical developments in art - with a dazzling facility.
Michael Desmond reveals the origins of composite portraits and their evolution in the pursuit of the ideal.
Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain.
Penelope Grist explores the interplay between medicine and portraiture in Vic McEwan’s Face to Face: The New Normal.
Bess Norriss Tait created miniature watercolour portraits full of character and life.
Michael Desmond examines the career of the eighteenth-century suspected poisoner and portrait artist Thomas Griffiths Wainewright.
Barry York charts the course from childhood request to autographed celebrity portrait anthology.
John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.
'Artist and actors, advancing spasmodically, find their rhythm together' writes Sarah Engledow.
Beyond the centenary of the ANZAC landings at Gallipoli, a number of other notable anniversaries converge this year. Waterloo deserves a little focussed consideration, for in the decades following 1815 numerous Waterloo and Peninsular War veterans came to Australia.
Jude Rae contemplates the portrait commission.
Penny Grist on motivation, method and melancholy in the portraiture of Darren McDonald.
A focus on Indigenous-European relationships underpins Facing New Worlds. By Kate Fullagar.