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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Wendy Bowman, 2019 David Darcy

The People’s Choice Awards

Archived media releases 2020

The votes have been counted, and the winners of the National Portrait Gallery’s People’s Choice Awards for the Prize exhibitions are...

Edward Paine Butler

Poison pen

Magazine article by Michael Desmond, 2010

Michael Desmond examines the career of the eighteenth-century suspected poisoner and portrait artist Thomas Griffiths Wainewright.

Nannultera, a young cricketer of the Natives' Training Institution, Poonindie , 1854 John Michael Crossland

The catechist and the cricketer

Magazine article by Stephen Valambras Graham, 2021

Stephen Valambras Graham traverses the intriguing socio-political terrain behind two iconic First Nations portraits of the 1850s.

Frank Lowy

Frank Lowy

Frank Lowy

Frank Lowy, 1998 (printed 2011)

Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Purchased 2011

H. B. Gullett

Henry Baynton Somer Gullett AM MC

Henry Baynton Somer ‘Jo’ Gullett AM MC (1914-1999), soldier, politician, ambassador, farmer and author, was the son of Sir Henry Gullett, who was one of the Australian official historians of the First World War.

1 portrait in the collection

James Oswald Fairfax

The Fairfax Gift

Magazine article by Andrew Sayers AM, 2003

This article examines the portraits gifted to the National Portrait Gallery by Fairfax Holdings in 2003.

Arcadia: Sound of the sea

Exhibition introduction

General content

One night in the spring of 1970 in an old house in Whale Beach, north of Sydney, John Witzig, Albe Falzon and David Elfick put together the first issue of Tracks, playing Neil Young’s album Harvest over and over again as they pasted up galleys of type.

image not online

Arnold Shore

Arnold Shore, a lifelong inhabitant of Melbourne, was apprenticed to a stained glass and leadlight company called Brooks, Robinson soon after leaving school at the age of twelve.

2 portraits in the collection

William Henry Harvey

William Henry Harvey

William Henry Harvey (1811-1866), botanist, formed a boyhood passion for natural history which was encouraged at Ballitore School, County Kildare.

1 portrait in the collection

Martha Mary Robertson

Martha Mary Robertson

Martha Mary Robertson

Martha Mary Robertson, 1866

Johnstone O'Shannessy & Co

Portrait, albumen photograph on carte de visite

Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018
Donated through the Australian Government's Cultural Gifts Program

Professor Peter Doherty

A Meeting of Great Minds

Magazine article by Simon Elliott, 2002

The story behind Rick Amor's portrait of Professor Peter Doherty.

Self Portrait, 1963–64

What price self?

Magazine article by Jane Raffan, 2013

Jane Raffan investigates auction sales of self portraits nationally and internationally.

Dr Reg Hook

Inner Worlds and psychoanalysis

Lecture, 4 June 2011

General content

Inner Worlds evokes a broad view of psychology as a discipline. However, the specific interests of the practitioners whose portraits are included in the exhibition incorporate specialist areas including psychoanalysis.

Untitled, Conductors, Tramways series, 1990 © Matt Nettheim

Back track

About Face article

Penelope Grist finds photographer Matt Nettheim re-visiting a formative and fulfilling career tram stop.

George and Jemima Billet with family

George Bellette

George Billett (also Bellett, Bellette and Billet, 1812–1885) was a farmer and landowner, an early settler of Sorell in Tasmania, and the son of two ex-convicts.

1 portrait in the collection

Self-portrait in black jumper, 2017 Graeme Drendel

Be frank

Magazine article by Dr Sarah Engledow, 2020

Close encounters are the genesis for Graeme Drendel’s enticing portraiture.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency