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Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.
Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?
Family affections are preserved in a fine selection of intimate portraits.
Penelope Grist finds inspiration in pioneering New Zealand artist, Frances Hodgkins.
Close encounters are the genesis for Graeme Drendel’s enticing portraiture.
Michael Desmond explores the complex portrait of Dr Bob Brown by Harold 'The Kangaroo' Thornton.
Portraits of philanthropists in the collection honour their contributions to Australia and acknowledge their support of the National Portrait Gallery.
Leslie Moran investigates the portraits of judges in the National Portrait Gallery's collection.
Michael Desmond reveals the origins of composite portraits and their evolution in the pursuit of the ideal.
Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain.
Emma Kindred examines fashion as a representation of self and social ritual in 19th-century portraiture.
Bess Norriss Tait created miniature watercolour portraits full of character and life.
Dr Anne Sanders NPG Curatorial Researcher investigated the lives of the pioneering psychologists whose portraits are featured in Inner Worlds.
One night in the spring of 1970 in an old house in Whale Beach, north of Sydney, John Witzig, Albe Falzon and David Elfick put together the first issue of Tracks, playing Neil Young’s album Harvest over and over again as they pasted up galleys of type.
Andrew Sayers discusses the real cost of George Lambert's Self portrait with gladioli 1922.