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For the boys

The photographs from Matthew Sleeth's tour of duty series look more like advertisements than images of war.

I'm not there

Reflections

All that fall: Sacrifice, life and loss in the First World War exhibition co-curators Dr Anne Sanders and Dr Christopher Chapman reflect on the evolution of the Gallery’s Anzac Centenary exhibition.

The long game

Penelope Grist spends some quality time with the Portrait Gallery’s summer collection exhibition, Eye to Eye.

More cash than dash

Joanna Gilmour describes how colonial portraitists found the perfect market among social status seeking Sydneysiders.

Petal to the mettle

Sarah Engledow lauds the very civil service of Dame Helen Blaxland.

Public hanging

As a convict Thomas Bock was required to sketch executed murders for science; as a free man, fashionable society portraits.

Some prime ministers

Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.

Portraiture in a Bleak House

It may seem an odd thing to do at one’s leisure on a beautiful tropical island, but I spent much of my midwinter break a few weeks ago re-reading Bleak House.

Painting mates

Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.

Hyperversity

Dr Sarah Engledow writes about the larger-than-life Australian performance artist, Leigh Bowery.

Sitter still

Jaynie Anderson reflects on her experience as sitter for Reshid Bey’s 1962 portrait.

To arrive at hope

Penelope Grist, National Photographic Portrait Prize judge and curator, introduces the 2020 Prize.

Progressive pictures

Athol Shmith’s photographs contributed to the emergence of a new vision of Australian womanhood.

Flash mob

Sarah Engledow trains her exacting lens on the nine photographs from 20/20.

Trumble's way

At the end of a summer break one is tempted to say that there is nothing much to report. Isn’t one restful holiday very much like another?