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The art of Australia’s colonial women painters affords us an invaluable, alternative perspective on the nascent nation-building project.
How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.
Judith Pugh reflects on Clifton Pugh's approach to portrait making.
Joanna Gilmour profiles Violet Teague, whose sophisticated works hid her originality and non-conformity in plain sight.
John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.
Anne Sanders celebrates the cinematic union of two pioneering australian women.
Joanna Gilmour explores the life and times of convict-turned-artist William Buelow Gould.
Sarah Engledow bristles at the biographers’ neglect of Kitchener’s antipodean intervention.