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The series captures Anangu Pitjantjatjara Yankunytjatjara (APY) Traditional Owners and custodians, respected and significant leaders, advocates and artists within the communities of the APY Lands.
For Tom Roberts - Australia's best nineteenth-century portrait painter - neither a proto-national portrait gallery nor more popular collections of portrait heads, were sufficient public celebrations for the notables of Australian history
Art by Warwick Baker, Chris Burden, Larry Clark, Rozalind Drummond, Nan Goldin, Robert Mapplethorpe and Collier Schorr explores personal relations, individual expression and fluid identity.
Photography is the most pervasive and popular medium for portraiture and makes a natural fit with the Gallery, being a natural extension of the Gallery's longstanding commitment to photography as a contemporary portrait medium.
Drawn from some of the many donations made to the Gallery's collection, the exhibition Portraits for Posterity pays homage both to the remarkable (and varied) group of Australians who are portrayed in the portraits and the generosity of the many donors who have presented them to the Gallery.
From letting loose in the lounge room to enthralling audiences on stage, this exhibition captures the experience of lives lived through dance.
Polly Borland: Australians, is an exhibition of 54 new portraits of significant Australians who have made a contribution to British life and who have largely made their home or based their professional life in the UK
Headspace showcases portrait art produced by secondary students from Year 7 to Year 12 in Government, Catholic and Independent schools in Canberra and its surrounding regions extending to Wollongong, Deniliquin, Leeton, Crookwell, Bombala, Narooma and Albury
This display celebrates 100 years of the Historic Memorials Collection and its role in commissioning portraits of parliamentary and judicial figures in Australia.
Originally conceived as an anthropological record, Percy Leason’s powerful 1934 portraits of Victorian Aboriginal people are today considered to be a highlight of 20th century Australian portraiture
POL was a magazine that ran from 1969 to 1986
Studio: Australian Painters Photographed by R
As the first National Portrait Gallery travelling exhibition, The reflecting eye: portraits of Australian visual artists represents an important milestone in the history of Australia's National Portrait Gallery.
'I have just been to my dressing case to take a peep at you.
Lewis Morley has a great eye for a shot and a sharp ear for a pun
During his long and distinguished career Max Dupain took thousands of photographs of people
This unique exhibition will give an insight into the private lives, pursuits and work of all the Nobel laureates associated with Australia
Rennie Ellis: Aussies All is a celebration of the life and work of the late Australian photographer Rennie Ellis.
'Diving Venus' and 'the perfect woman' are two of the numerous descriptions applied to Annette Kellerman, who achieved international fame during the early decades of the twentieth century.
Adapted from A Tribute to William Dobell an exhibition presented by the Australian National University's Drill Hall Gallery in association with the Sir William Dobell Art Foundation, The National Gallery of Australia, and the Australian War Memorial. Dobell is of course, celebrated for his achievements in portraiture, winning the Archibald prize (1943, 1948 and 1959), the Wynne Prize (1948), and representing Australia at the 1954 Venice Biennale. Curator Mary Eagle concludes her essay in the catalogue of the exhibition thus, "Overall I see a dissonance in Dobell’s art and life
The Australian of the Year Awards have often provoked controversy about who is selected and whether their achievements are remarkable.
Following the success of Glossy: Faces, Magazines, Now in 1999 the National Portrait Gallery again highlights the huge array of contemporary portraiture in the pages of magazines.
First Ladies profiles women who have achieved noteworthy firsts over the past 100 years.
Nicholas Harding: 28 portraits features paintings of Robert Drewe, John Bell and Hugo Weaving alongside gorgeously coloured recent oil portraits, delicate gouaches and bold ink and charcoal drawings.
Seventeen of Australia’s thirty prime ministers to date are represented in the contrasting sizes, moods and mediums of these portraits.
This is the first in a series of National Portrait Gallery exhibitions to survey the portraits painted by artists who are not thought of, primarily, as portrait painters
Animated is the National Portrait Gallery's first online exhibition.
Open Air is an exhibition of portraits of Australians in environments of particular significance to them.
In its second year at the National Portrait Gallery, and for the first time touring to other venues, the National Photographic Portrait Prize 2009 continues to present surprising perspectives on the nature of contemporary portrait photography.
This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.
Magazines are the portrait galleries of the 90s... Glossy is about magazines. The exhibition presents the work of eight photographers, Australian by birth or long-term residency, who are producing portraits for publication in magazines around the world.
The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.
Death masks, post-mortem drawings and other spooky and disquieting portraits... Come and see how portraits of infamous Australians were used in the 19th century.
Although perceived to be a recent phenomenon, the 'Aussie invasion' of Hollywood can actually be traced as far back as the early 1900s
The exhibition will include works of art from the NPG Canberra's permanent collection with some inward loans and aims to highlight the achievements of notable Australians.
This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present
The considered matching of artist to subject has produced an amazing collection of unique and original works in the permanent collection of the National Portrait Gallery