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Julia Gillard pays poignant tribute to her friend and mentor, the late Joan Kirner, Victoria’s first and only female premier.
Emma Kindred looks at the career of Joan Ross, whose work subverts colonial imagery and its legacy with the clash of fluorescent yellow.
Andrew Sayers discusses the portrait of Dr Joan Croll AO by the Australian artist John Brack.
This issue of Portrait Magazine features David Moore, Midnight Oil, Dr Joan Croll by John Brack, the acquisition of the Captain Cook portrait, and more.
This issue features Julia Gillard on the late Joan Kirner, Julian Opie’s digital portraiture, Nicholas Harding’s Godot gouaches and more.
It is not well known that the person who composed the famous theme music for the BBC's Doctor Who series was Australian Ron Grainer.
Robert Hannaford has completed around 400 portraits over the span of his career.
Ryan Presley about portraiture, Emma Kindred on the career of Joan Ross, Ellie Buttrose looks at Archie Moore’s kith and kin, and Joanna Gilmour steps into the world of Julie Rrap.
Drawn from the Gallery's collection, the exhibition Face the Music explores the remarkable talents and achievements of Australian musicians, composers, conductors and celebrities associated with the music industry.
Angus Trumble reflects on the force of nature that was Helena Rubinstein.
Jennifer Coombes explores the lush images of Picnic at Hanging Rock, featuring Anne-Louise Lambert’s Miranda, the face of the film.
Bess Norriss Tait created miniature watercolour portraits full of character and life.
Karl James reflects on soldier portraiture during the Great War.
Elspeth Pitt talks to multidisciplinary artist Nell about ghosts, artistic lineages and hybrid art forms.
Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.
David Hansen’s tribute to his close friend, prince of words and former National Portrait Gallery director, the late Angus Trumble.
Anne Sanders and Christopher Chapman bring passionate characterisation to Express Yourself, the Portrait Gallery collection exhibition celebrating iconoclastic Australians.
Blue Mountain, Owner, Trainer, Jockey, James Scobie 1887 by Frederick Woodhouse Snr. is a portrait of James Scobie, well known jockey and eminent horse trainer.
Michael Desmond in conversation with University of Houston professor of philosophy Cynthia Freeland.
Dr Sarah Engledow examines a number of figures in the collection of the National Portrait Gallery who were pioneers or substantial supporters of the seminal Australian environmental campaigns of the early 1970s and 1980s.
As the National Portrait Gallery opens its exhibition of portrait and figurative work by veteran photographer Sam Haskins, the artist reflects on the highlights of his fifty-year career so far.
An extensive selection of portraits by John Brack were on display at the National Portrait Gallery in late 2007.
Penelope Grist finds inspiration in pioneering New Zealand artist, Frances Hodgkins.
Peter Wilmoth’s boy-journalist toolkit for antagonising an Australian political giant.
Anne O’Hehir on the seductive power of the film still to reflect and shape ourselves and our cultural landscape.
To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).
The art of Australia’s colonial women painters affords us an invaluable, alternative perspective on the nascent nation-building project.
Joanna Gilmour profiles Violet Teague, whose sophisticated works hid her originality and non-conformity in plain sight.
Joanna Gilmour explores the life and times of convict-turned-artist William Buelow Gould.
Sarah Engledow lauds the very civil service of Dame Helen Blaxland.