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Gift of Anne and Brennan Keats 2009
The portrait of Janet and Horace Keats with the spirit of the poet Christopher Brennan is brought to life by artist Dora Toovey.
Janet le Brun Brown (Keats) (1900-1985), soprano, was born on her family's property, Riggsdale, near Goulburn, but on account of frailty she was sent to live with her grandparents in Inverell, Moree and Dungog before going to boarding school in the Blue Mountains and Gosford.
1 portrait in the collection
Horace Keats (1895-1945) came to Australia from his native England in 1915 as accompanist to vaudeville performer Nella Webb.
1 portrait in the collection
Janet Dawson (b. 1935), painter, printer, teacher and stage designer, is known for her contribution to abstract art in Australia.
10 portraits in the collection
Janet Vernon AM, dancer, met her life and professional partner, Graeme Murphy, at the Australian Ballet School.
1 portrait in the collection
Recorded 1965
Gift of the artist 2000
Janet Holmes à Court AC (b. 1943), businesswoman and philanthropist, graduated in science and worked as a teacher before marrying young Perth lawyer Robert Holmes à Court in 1966.
1 portrait in the collection
Gift of Danina Dupain Anderson 2017. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Purchased 2000, part gift of Michael Boddy
Collection: National Portrait Gallery
Purchased 2015
Collection: National Portrait Gallery
Purchased 2011
Collection: National Portrait Gallery
Purchased 2015
Collection: National Portrait Gallery
Gift of Joseph Mathew Cotta and Gladys Maria Cotta 2016
Collection: National Portrait Gallery
Gift of Joseph Mathew Cotta and Gladys Maria Cotta 2016
Purchased 2015
Joanna Gilmour explores the life and art of the Australian artist Janet Dawson.
Collection: National Portrait Gallery
Purchased 2011
When soulmates Janet Dawson and Michael Boddy moved from Sydney to a property, Boddy was clear about why: ‘Our marriage is one long conversation - we moved to the bush so we could talk to each other without so many interruptions.’
Gift of Professor Derek Denton AC and Dame Margaret Scott AC 2014. Donated through the Australian Government's Cultural Gifts Program.
Wendy Whiteley in candid conversation with Janet Hawley to celebrate the release of the book Wendy Whiteley and The Secret Garden.
Mikala is the eldest of my three daughters. I have photographed her on many an occasion. Needless to say we are both extremely at home with the practice.
Bronwyn Watson writes about Summer 1986 for the Popular Pet Show.
Books, beets and heat
This issue features convict portraitists, Janet Dawson, Paul Grabowsky, Nam Le, the Present Tense exhibition and more.
Collection: National Portrait Gallery
Commissioned with the assistance of funds provided by Janet Whiting AM, Philip Lukies and Antonia Syme 2016
Interviews with NPPP 2013 finalists Melanie Faith Dove, Simon Harsent, Ahmad Sabra, Sharon Zwi, Katherine Bennett, Krystal Seigerman, Arianne McNaught, Janet Tavener, Louise Whelan, Myles Nelson and Heather Corrigan.
Gift of Janet, Andrew, Kathryn and Eleanor Ramsay, daughters and son of Alexander Maurice Ramsay and Amy Jane Ramsay 2010. Donated through the Australian Government's Cultural Gifts Program.
Gordon Watson AM (1921-1999), pianist and teacher, taught at the Sydney Conservatorium of Music from 1964 to 1986 and was head of its keyboard department when he retired.
1 portrait in the collection
From letting loose in the lounge room to enthralling audiences on stage, this exhibition captures the experience of lives lived through dance.
This exhibition expresses the joy and warmth that many of us derive from our animal companions, and celebrates their trusting, unpretentious ways, with portraits of Australians and their furry, feathered and fluffy friends.
Intimate Portraits is an exhibition of paintings, drawings and prints that explore the less public side of portraiture
Exploring select works from the NPPP 2012. For secondary students.
Edith Knox (1855–1942), matriarch, was a daughter of Janet and Scottish-born merchant and businessman Joseph Scaife Willis, who was president of the Sydney Chamber of Commerce and a founding director of the Sydney Exchange Co.
1 portrait in the collection
David Davies began studying art at the School of Mines and Industries in his birthplace, Ballarat.
1 portrait in the collection
Collection: National Portrait Gallery
Gift of the artist 2002
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of the artist 2002
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of the artist 2002
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of the artist 2002
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of the artist 2002
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of the artist 2003
Donated through the Australian Government's Cultural Gifts Program
From 2015 to 2017 the Acquisition Fund was focussed on Reg Richardson AM by Mitch Cairns, a finalist in the Archibald Prize 2014, and a great example of minimalist portraiture.
Gift of Mrs Caroline Philippa Parker 2005. Donated through the Australian Government's Cultural Gifts Program.
Portraits of Australia’s pioneering psychologists and artworks by artists fascinated by the subconscious mind.
Michael Boddy (1934–2014), writer and actor, was born in England and educated at Cambridge before arriving in Australia as a 'ten quid migrant' in 1960.
2 portraits in the collection
Rhys Maengwyn Jones (1941-2001), archaeologist and academic, grew up in Wales and studied at Cambridge before taking up an appointment at the University of Sydney in 1963.
1 portrait in the collection
The Circle of Friends Acquisition Fund for 2012 was dedicated to purchasing a portrait of David Malouf by Rick Amor.
Kristin Headlam's portrait of Chris Wallace-Crabbe was acquired with the support of the Circle of Friends in 2014.
The Portrait Gallery's paintings of two poets, Les Murray and Peter Porter, demonstrate two very different artists' responses to the challenge of representing more than usually sensitive and imaginative men.
Graeme Murphy AO (b. 1950), choreographer and dancer, was co-artistic director of the Sydney Dance Company with his wife Janet Vernon AM for three decades.
3 portraits in the collection
Commissioned with the assistance of funds provided by Janet Whiting AM, Philip Lukies and Antonia Syme 2016
Collection: National Portrait Gallery
Gift of the artist 2002
Donated through the Australian Government's Cultural Gifts Program
POL was a magazine that ran from 1969 to 1986
The Australian Tapestry Workshop (formerly the Victorian Tapestry Workshop) was established in 1976, following two years of planning and research on the part of its founding patrons, Dame Elisabeth Murdoch and Lady Joyce Delacombe.
2 portraits in the collection
It is not every day that a national gallery turns its walls over to the animal companions that bring unconditional love and joy to their owners but this summer we have opened the doors to 15 contemporary artists with very different ways of depicting our furry, feathered and scaled pets.
Gift of Rosamond Shepherd 2010. Donated through the Australian Government's Cultural Gifts Program.
This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present
Lecture by Sandy Nairne, Director, National Portrait Gallery, London, given at the National Portrait Gallery, Canberra on 28 April 2006.
Gift of the artist 2024. Donated through the Australian Government’s Cultural Gifts Program.
Karina Dias Pires shares the stories behind her portraits of women artists in their creative spaces.
The National Portrait Gallery acquired the self-portrait by Grace Cossington Smith in 2003.
Masters of fare: chefs, winemakers, providores celebrates men and women who have championed the unique culinary characteristics and produce of Australia, enriching our lives with new ideas and new flavours over the past forty years.
I agonized over the choice of four songs to take with me to the ABC Studios for Alex Sloan’s Canberra 666 afternoon program, a sort of iteration of the old BBC Desert Island Discs.
Former NPG Director, Andrew Sayers describes the 1922 Self-portrait with Gladioli by George Lambert.
Christopher Chapman delights in the intimacy of Robert Mapplethorpe's photography
Peter Wilmoth’s boy-journalist toolkit for antagonising an Australian political giant.
Inga Walton sheds light on a portraiture collection usually only seen by students and teachers at Melbourne University.
How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.
Dr Christopher Chapman NPG Curator of Inner Worlds explains the development of an exhibition that spans from Surrealism to contemporary art.
Michael Wardell samples the fare in the University of Queensland National Self-portrait Prize.
Penelope Grist speaks to Bill Henson and Simone Young to discover the origins of the artist’s stunning photographic triptych.
Feminism, risktaking and the politics of looking: Joanna Gilmour steps into the world of Julie Rrap.
Inner Worlds evokes a broad view of psychology as a discipline. However, the specific interests of the practitioners whose portraits are included in the exhibition incorporate specialist areas including psychoanalysis.
Curator, Penny Grist, reveals how this exhibition came to be
Glynis Jones on the Powerhouse’s retrospective of one of Australia’s foremost fashion reportage and social photographers.
Penny Grist, National Photographic Portrait Prize judge and curator, introduces the 2016 Prize.
One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.