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Sandra Bruce explores a new acquisition that has within it a story of interconnectivities in the Australian art world.
Sandra Bruce gazes on love and the portrait through Australian Love Stories’ multi-faceted prism.
Bruce Petty's animated self portrait captures a life's journey compressed into a few minutes.
Sandra Bruce chats with seven-time NPPP finalist Chris Budgeon about photography, guitars and representing the human story.
A toast to the acquisition of an unconventional new portrait of former Prime Minister, Stanley Melbourne Bruce.
Australia's tradition of sculpted portraits stretches back to the early decades of the nineteenth century and continues to sustain a group of dedicated sculptors.
Christopher Chapman examines the battle of glamour vs. grunge which played out in the fashion and advertising of the 1990s.
This issue of Portrait Magazine features the inaugural hang of the new National Portrait Gallery, Cadel Evans, Stuart O'Grady, Robbie McEwen, Casey Stoner, Bruce Petty and more.
Michael Desmond looks at the history of the Vanity Fair magazine in conjunction with the exhibition Vanity Fair Portraits: Photographs 1913-2008
Hugh Ramsay, the fashion of Jenny Kee and Linda Jackson, Peter Wegner's centenarian series, John and Elizabeth Gould's family connections, Karen Quinlan's top five portraits and more.
The Huxleys, National Portrait Gallery London’s masterpieces, Jennifer Higgie on portraits of women by women, Tamara Dean, Bangarra, Glynis Jones on fashion photographers, and NPG/NGV collaboration.
Dr G Yunupingu (1970-2017), a man of the Gumatj clan of north-east Arnhem Land, learned to play guitar, keyboard, drums and didgeridoo as a child.
William Yang on his autobiographical self portraits, David Parker's 1970s and 80s Melbourne music photographs, seven-time NPPP finalist Chris Budgeon, and Benjamin Warlngundu Ellis.
Vanity Fair Editor David Friend describes how the rebirth of the magazine sated our desire for access into the lives of celebrities and set the standard for the new era of portrait photography.
Nicholas Harding describes his enduring fascination with drawing and painting people.
Penelope Grist explores the United Nations stories in the Gallery’s collection.
Michael Kimmelman, Chief Art Critic of The New York Times and author of Portraits: Talking with Artists at the Met, the Modern, the Louvre and Elsewhere, presented the National Portrait Gallery Third Anniversary Lecture on 2 March 2002. He was generously brought to Australia by the Gordon Darling Foundation and Qantas.
Esther Erlich’s portrait of Lady McMahon.
Angus Trumble gazes at the once bright star of photographer Ruth Hollick.
Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.
The Australian public was invited in 2008 to vote for their favourite Australian. After the votes were tallied an exhibition of the top-ten Popular Australians and the top-twenty unsung heroes was displayed at the National Portrait Gallery.
Roger Benjamin explores the intriguing union of Lina Bryans and Alex Jelinek.
The Portrait Gallery's paintings of two poets, Les Murray and Peter Porter, demonstrate two very different artists' responses to the challenge of representing more than usually sensitive and imaginative men.
Tegan McAuley looks at the evolution of video portraiture.
Sandra Phillips on portraits of Indigenous activism from Cairns Art Gallery’s 2019 Queen’s Land Blak Portraiture exhibition.
Scott Redford discusses his dynamic portrait commission of motorcycling champion and 2008 Young Australian of the Year Casey Stoner.
Projecting the splendour of the empire, and the resolve of its subjects, the bust of William Birdwood keeps a stiff upper lip in the National Portrait Gallery.
The exhibition Australians in Hollywood celebrated the achievements of Australians in the highly competitive American film industry.
Krysia Kitch celebrates Oodgeroo Noonuccal.
Sarah Engledow picks some favourites from a decade of the National Photographic Portrait Prize.
Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.
Joanna Gilmour profiles the life and times of the shutter sisters May and Mina Moore.
Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.
Dr Sarah Engledow explores the portraits of writers held in the National Portrait Gallery's collection.
Sarah Engledow bristles at the biographers’ neglect of Kitchener’s antipodean intervention.