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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Sarah Tuckfield

Sarah Tuckfield

Sarah Tuckfield neé Gilbart (c. 1808–1854), was the daughter of a Cornish farmer.

1 portrait in the collection

Sarah Tuckfield

Sarah Tuckfield

Sarah Tuckfield

Sarah Tuckfield, c. 1854

an unknown artist

Portrait, oil on canvas

Collection: National Portrait Gallery
Gift of the Freer Tuckfield family 2010
Donated through the Australian Government's Cultural Gifts Program

Francis Tuckfield

Francis Tuckfield

Francis Tuckfield (1808-1865), Wesleyan missionary, was eighteen years old when, having worked as a miner and a fisherman, he decided to become a preacher.

1 portrait in the collection

Francis Tuckfield

Francis Tuckfield

Francis Tuckfield

Francis Tuckfield, c. 1854

an unknown artist

Portrait, oil on canvas

Collection: National Portrait Gallery
Gift of the Freer Tuckfield family 2010
Donated through the Australian Government's Cultural Gifts Program

Portrait of Sarah Bernhardt as Marguerite Gautier in 'La Dame aux Camélias'

Sarah Bernhardt

Sarah Bernhardt (1844–1923) was acclaimed as the greatest actor of her generation and had roles created for her by some of the finest writers of her age.

2 portraits in the collection

Portrait of Mrs Sarah Fairfax

Sarah Fairfax

Sarah Reading (1808-1875) came to Sydney from England in 1838 with her husband, John Fairfax (1805-1877), who had left school at the age of twelve and been apprenticed to a printer and bookseller.

1 portrait in the collection

image not online

Dr Sarah Engledow

Dr Sarah Engledow was appointed Historian at the National Portrait Gallery in 1999.

image not online

Sarah Rhodes

Sarah Rhodes (b. 1974) studied fine art and psychology and later majored in journalism and photography, gaining her arts degree and a master’s in publishing from the University of Sydney.

1 portrait in the collection

Billie, 2016 by Graeme Drendel

In your dreams

Magazine article by Dr Sarah Engledow, 2016

An excerpt from The Popular Pet Book.

Billie, 2016 by Graeme Drendel

The Popular Pet Show

Previous exhibition, 2016

This exhibition expresses the joy and warmth that many of us derive from our animal companions, and celebrates their trusting, unpretentious ways, with portraits of Australians and their furry, feathered and fluffy friends.

Billie, 2016 by Graeme Drendel

Pets of all types take over the National Portrait Gallery

3 November 2016

Archived media releases 2016

It is not every day that a national gallery turns its walls over to the animal companions that bring unconditional love and joy to their owners but this summer we have opened the doors to 15 contemporary artists with very different ways of depicting our furry, feathered and scaled pets.

Greek Orthodox Priest, 2015 by Sarah Ball

Hope for kindness

Magazine article by Dr Sarah Engledow, 2018

Sarah Engledow arrives at the junction of fate and hope in Sarah Ball’s poignant Immigrants series.

Sarah Engledow and Acorn, 2016 by Mark Mohell

Explore The Popular Pet Show

The artists and their furry friends

General content

Curator, Sarah Engledow, introduces the artists and the animals in The Popular Pet Show.

The blue of the dawn, 2009 by Vittoria Dussoni

NPPP 2011 exhibition essay

General content

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2011 Prize.

Commander Skyring, Gang-gang cockatoo by Leila Jeffreys

A real tweet

Magazine article by Dr Sarah Engledow, 2016

Sarah Engledow plays wingman to Leila Jeffreys.

Bryan Brown

The Look

Previous exhibition, 2019

Featuring striking photographic portraits of contemporary figures from the National Portrait Gallery collection, The Look is an aesthetic treat with a lashing of je ne sais quoi.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency