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Jules de Blosseville, c. 1830

Collection: National Portrait Gallery
Purchased 2014

Lunch at Fran's

Three lemons for Simon

Noni Hazlehurst, 1977 (printed 2011)

Collection: National Portrait Gallery
Purchased 2011

An Australian in Paris

This week it is impossible not to contemplate the ways in which France has touched many Australian lives.

National Photographic Portrait Prize 2022

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Happy New Year

This year (in March) we will celebrate the twentieth anniversary of the formal establishment of the National Portrait Gallery. In the life of institutions, twenty years is not a long time.

The medallion

In recent years I have become fascinated by the so-called Sydney Cove Medallion (1789), a work of art that bridges the 10,000-mile gap between the newly established penal settlement at Port Jackson and the beating heart of Enlightenment England.

Sea legged frogs

Joanna Gilmour describes some of the stories of the individuals and incidents that define French exploration of Australia and the Pacific.

Conversation pieces

Curator Emma Kindred shares a glimpse of the creative process behind her selection of works for the National Portrait Gallery’s salon hang.

Lovers of light

Dr Sarah Engledow traces the significant links between Antonio Dattilo-Rubbo and Evelyn Chapman through their portraits.

Wunderkind lost

Inga Walton on the brief but brilliant life of Hugh Ramsay.

Lucy Culliton

Most well-regarded pictures of chickens show them dead. A reliable way to tell if a chicken in a painting is dead is to check if it’s hanging upside down, because unlike, say, cockatoos, chickens don’t practise inversion for enjoyment in life.

The Royal she

Traversing paint and pixels, Inga Walton examines portraits of select women in Tudors to Windsors: British Royal Portraits.