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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Self portrait, 1957 by Sunarto P. R.

Masters of modern Indonesian portraiture

Previous exhibition, 2014

Masters of modern Indonesian portraiture presents key modernist paintings and drawings along with a selection of contemporary works.

Man of the year #4, 2011 by Agus Suwage

Beyond the Self

Contemporary Portraiture from Asia
Previous exhibition, 2011

This exhibition examines the representation of the self in current South and Southeast Asian art practice through the work of artists from India, Indonesia, Malaysia, Pakistan, Philippines and Thailand

My Favourite Australian

My Favourite Australian

Previous exhibition, 2008

My Favourite Australian is a project developed in collaboration with ABC TV and the people of Australia.

Marilyn Ball, Albatross, 2018 (detail) by Linde Ivimey

So Fine

Contemporary women artists make Australian history
Previous exhibition, 2018

This exhibition features new works from ten women artists reinterpreting and reimagining elements of Australian history, enriching the contemporary narrative around Australia’s history and biography, reflecting the tradition of storytelling in our country.

Shane Warne

Flash

Australian Athletes in Focus
Previous exhibition, 2006

Introduction The National Portrait Gallery’s photographic exhibition Flash: Australian Athletes in Focus explores various interpretations of Australian sporting men and women.

Self Portrait #1, 1992 by William Yang

William Yang

Australian Chinese
Previous exhibition, 2001

William Yang's art is about the telling of stories, his work is an intriguing mixture of philosophy, autobiography, social history and documentary imbued with a sense of the artist's own curiosity, humanity and humour

Self portrait

Elegance in exile

Portrait drawings from colonial Australia
Previous exhibition, 2012

Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period.

Albert Namatjira

Sir William Dargie

A Ninetieth Birthday Tribute
Previous exhibition, 2002

As a tribute to Sir William Dargie's singular contribution to Australian art and cultural institutions, and on the occasion of his birthday, The Australian War Memorial, Parliament House and the National Portrait Gallery will mount exhibitions of his work between May and October

William Dobell

A Tribute to William Dobell

Previous exhibition, 1999

Adapted from A Tribute to William Dobell an exhibition presented by the Australian National University's Drill Hall Gallery in association with the Sir William Dobell Art Foundation, The National Gallery of Australia, and the Australian War Memorial. Dobell is of course, celebrated for his achievements in portraiture, winning the Archibald prize (1943, 1948 and 1959), the Wynne Prize (1948), and representing Australia at the 1954 Venice Biennale. Curator Mary Eagle concludes her essay in the catalogue of the exhibition thus, "Overall I see a dissonance in Dobell’s art and life

Spencer 2016, by Warwick Baker

Tough & Tender

Previous exhibition, 2016

Art by Warwick Baker, Chris Burden, Larry Clark, Rozalind Drummond, Nan Goldin, Robert Mapplethorpe and Collier Schorr explores personal relations, individual expression and fluid identity.

William Barak at work on the drawing ‘Ceremony’ at Coranderrk

The Reflecting Eye

Portraits of Australian Visual Artists
Touring exhibition, 1996

As the first National Portrait Gallery travelling exhibition, The reflecting eye: portraits of Australian visual artists represents an important milestone in the history of Australia's National Portrait Gallery.

Portrait of Professor Graeme Clark

Portraits for Posterity

Previous exhibition, 2006

Drawn from some of the many donations made to the Gallery's collection, the exhibition Portraits for Posterity pays homage both to the remarkable (and varied) group of Australians who are portrayed in the portraits and the generosity of the many donors who have presented them to the Gallery.

Bungaree, late chief of the Broken Bay tribe, Sydney

Heads of the People

A Portrait of Colonial Australia
Previous exhibition, 2000

For Tom Roberts - Australia's best nineteenth-century portrait painter - neither a proto-national portrait gallery nor more popular collections of portrait heads, were sufficient public celebrations for the notables of Australian history

Billie, 2016 by Graeme Drendel

The Popular Pet Show

Previous exhibition, 2016

This exhibition expresses the joy and warmth that many of us derive from our animal companions, and celebrates their trusting, unpretentious ways, with portraits of Australians and their furry, feathered and fluffy friends.

Professor Peter Doherty

Rick Amor

21 Portraits
Previous exhibition, 2014

Rick Amor, noblest yet most unaffected of contemporary Australian portraitists, is also a painter of enigmatic, ominous landscapes, seascapes and cityscapes that haunt the viewer like dreams, dimly-recalled.

Betty Burstall

Arthur Boyd Portraits

Previous exhibition, 1999

This is the first in a series of National Portrait Gallery exhibitions to survey the portraits painted by artists who are not thought of, primarily, as portrait painters

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency