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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Omega, 2013 by Robin Eley

Robin Eley

More about In the flesh artists

Robin Eley studied Fine Arts at Westmont College, USA and began his career as a professional illustrator. Eley was a finalist in the Eutick Memorial Still Life Prize in 2010 and his work was Highly Commended in the Doug Moran Portrait Prize in 2010 and 2011.

Portrait of Mrs Tom Roberts

2013-14 Acquisition Fund

Annual Appeal

This 1910 portrait of Elizabeth Sarah (Lillie) Roberts by Tom Roberts was brought into the Gallery's collection with the assistance of the Acquisition Fund in 2013.

Walking in tall grass, Lucy, 2010 by Jan Nelson

More about In the flesh artists

General content

The exhibition features work from Jan Nelson, Natasha Bieniek, Patricia Piccinini, Juan Ford, Petrina Hicks, Ron Mueck, Yanni Floros, Sam Jinks, Michael Peck and Robin Eley.

The Assumption of Virginity, 2014 video: 1 minute

The Assumption of Virginity, 2014

by Xanthe Dobbie
General content

Finalist, MDPA 2014

Adams Apple, 2013 by Petrina Hicks


More about In the flesh

Segregated from their fellow humans in cellophane prisons, reference points are removed, so it is not certain whether these naked figures could be unwrapped, are about to be subsumed, or will forever be suspended in a plastic stasis.

Divide, 2011 by Sam Jinks

In the Flesh

15 October 2014
Archived media releases 2014

Press releases and image downloads for media.

Lady Jessie and Sir Donald Bradman, Kensington Park, Adelaide, South Australia

A good innings


Childhood sweethearts

Still Life (Pieta), 2007 by Sam Jinks

More about In the flesh

General content

In the flesh is realised through moments of intimacy, empathy, transitions in life and the transience of life, vulnerability, alienation, restlessness, self-reflection, mortality and acceptance.

Reg Richardson AM

2015-17 Acquisition Fund

Annual Appeal

From 2015 to 2017 the Acquisition Fund was focussed on Reg Richardson AM by Mitch Cairns, a finalist in the Archibald Prize 2014, and a great example of minimalist portraiture.

Scone, 2010 by Darren McDonald
Private collection, Melbourne and courtesy of Scott Livesey Galleries

Darren McDonald

Explore The Popular Pet Show

The wild balancing act of McDonald’s home décor (is that there as a joke? where do I actually sit down? is this ironic or what? what a lovely photo of Darren and Robin in Europe!) is reflected in his own personality.


The National Portrait Prizes

29 January 2020
Archived media releases 2020

The National Portrait Gallery today announced finalists for the inaugural Darling Portrait Prize, a national new $75,000 prize for Australian portrait painting, and released selected images from the final prize pool for the popular National Photography Portrait Prize.

image not online

Portrait Donors

Listed by year
Honour board
Zed, from the series Walking the dog, 2005 by Robyn Sweaney

Robyn Sweaney

Explore The Popular Pet Show

Robyn's parents had two terriers, Wuff and Snuff. In spite of Snuff’s ominous name and a couple of close shaves – once, he jumped out of a moving car, and another time, on a long road trip, he was accidentally left behind at a petrol station – he outlived Wuff.

Writing on the Wall, 2019 Dr Christian Thompson AO

To arrive at hope

NPPP 2020 exhibition essay
General content

Penelope Grist, National Photographic Portrait Prize judge and curator, introduces the 2020 Prize.

The Bare story

General content

Curator, Penny Grist, reveals how this exhibition came to be

Self portrait

Rick Amor: 21 Portraits

General content

Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency