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Fruitful fusion
Andrew Cowen on photographing his friend Matthew Martin.
The eight photographers represent diverse styles, specialities and career paths. Abigail Varney, Peter Brew-Bevan, Martin Philbey, John Tsiavis, Michelle Day, Julian Kingma, and Giovanni Lovisetto.
The photographers reveal the technical side of their work and reflect on changes in their profession. Now everyone has a camera in their pocket, is everyone a photographer? What is it like to sustain a career as a photographer in the entertainment industry? How do you work with celebrity subjects, negotiate the complex logistics of big shoots, and create captivating portraits under pressure?
The Gallery would like to acknowledge and thank the people who contributed their time and expertise to participate in the development of this DIAP.
In 2023 the Annual Appeal was focussed on a work by one of Australia's best loved and most successful portrait painters, Judy Cassab AO CBE, depicting model, entrepreneur and deportment icon, June Dally-Watkins OAM.
Press releases and images downloads for media.
Paul Kelly & The Portraits presents a multifaceted image of the performer over the course of his career.
‘Everybody’s lives are built by so many influences, and for me, it is writers, artists and activists who have influenced how I think about the world.’
Commissioned with funds provided by the Sid and Fiona Myer Family Foundation 2018
Michael Desmond, National Photographic Portrait Prize judge and curator, introduces the 2007 Prize.
Pushpamala N. was born in 1956 in Bangalore. Her early training was in sculpture, but as her practice progressed she brought an early enthusiasm for narrative figuration into her photographic work.
Inspiring Australians tell their own stories in a unique new gallery audio tour, developed in collaboration with the National Library of Australia.
The fourth row of paintings interweave Ngarranggarni, memories, relationships and Country.
Penelope Grist, National Photographic Portrait Prize judge and curator, introduces the 2020 Prize.